| "Culture break-in theory" is a core viewpoint put forward from the perspective of cultural studies to comprehensively examine the 20th century Chinese literature and culture from the perspective of cultural studies.It points that since May 4th the construction of modern Chinese culture in the large-scale time and space of ancient and modern China and foreign countries,and the multiple cultural backgrounds of doctrines and ideological trends continue to "break in" in the Chinese cultural field and are generated.Based on the dual interaction of "the ideological trend of culture break-in"and "literary creation" in the modern Chinese cultural field,the "broad-wide modern"Chinese literature that continues to develop from the late Qing Dynasty to the beginning of the People’s Republic of China and currently continues to emphasize the complex and close interaction between culture and literature relationship.From the perspective of "culture break-in",Ding Ling,as a "modern cultural person",is immersed in a vivid and diverse cultural atmosphere of the times in her life and literature.In the dynamic modern Chinese cultural field where multiple cultures,both ancient and modern,continue to "break-in",the culture of the era at the macro level and the cultural individuals at the micro level are in a state of motivation and kinetic energy given by the times.Ding Ling has grown from a young lady who has fallen to her home to become an important writer of Chinese Communist Party.The"cultural tragedy" he has destined to dooms its "cultural background".Ding Ling’s trajectory of life and the movement of her creative stance and literary ideas in her creative practice are a cultural acceptance at a deeper level.The fluctuation of its"cultural background" is continuously smeared at different stages,with different shades,but it is not a cover-up smear,but a cultural background that can be continuously seen through to the end.The far-reaching influence of ideology makes all cultures merge into Ding Ling’s subject life,but it is not a simple conflict-type,clear-cut confrontation Department,but a "cultural run-in" state that achieves dynamic balance in mutual adaptation,compromise,and debugging,and is reflected in Ding Ling’s creative practice.It is the most important and most visible "cultural break-in" in Ding Ling’s specific creative practice.What is imprinted is the continuous construction and continuous adjustment of its literary "narrative discourse system" and "character system",thus creating the revolutionary epic The Sun Shines on the Sanggan River,which not only follows the logic of revolution and politics,but also Respecting the logic of human nature,it also showed Ding Ling’s subjective consciousness as a modern cultural person and intellectual,thus becoming a model text of "cultural break-in".This thesis is divided into three parts:introduction,text and conclusion:The introduction mainly summarizes Ding Ling’s research history of ninety years,and summarizes the core concept of this thesis,the theory of cultural break-in.It also analyzes the inter-subjectivity of cultural break-in and the cultural subject to expound the main purpose and value significance of this thesis.The text is divided into three chapters.The first chapter focuses on the cultural life and literary process of Ding Ling from the perspective of "cultural run-in".Ding Ling began with the tide of the "Great Revolution",and finally about fifty years of literary life in the "new era" showed the epochalness and uniqueness of its literary world in the crossover and bridge between the cultural community of the May 4th Movement and the cultural community of "Yan’an" Sex.Looking at and examining Ding Ling’s literary creation pedigree from the perspective of "cultural run-in",it can be seen that Ding Ling’s literary path and cultural concept（cultural identity）present a complex evidence that is mutually reinforcing,manifesting each other,and being ambiguous.state.The second chapter examines how Ding Ling adjusts and positions her literary creation in this continuous and dynamic state of "cultural run-in" from the perspective of "cultural run-in"（especially in a more intense "run-in" situation）under).This chapter examines and sorts out the evolutionary trajectory of"Europeanization-Revolutionization-Popularization" that Ding Ling showed in her literary language from 1927 to 1949.At the same time,she also pays attention to Ding Ling’s literary language in the "cultural run-in" situation.Mistakes in conceptualization,sloganization,and vulgarity were erroneously adjusted in the adjustment,and thus reflected in the literary text is a dynamic,fluctuating,and interactive creative phenomenon.Polyphonic or multi-voice sounds are also issued within the same text.Cultural sounds show the complex literary features of Ding Ling’s creative practice in the perspective of "cultural run-in".The third chapter mainly uses Ding Ling’s female writing as the main research context,from the perspective of "cultural run-in" to observe how Ding Ling has consistently applied the feminist cultural position and culture in this "run-in" dynamic creative process.The pursuit is projected into the literary image and examines how the confrontation and conflict between the inherent gender order,revolutionary ethics,and its own female discourse during the revolutionary practice are presented through the construction of literary texts.This topic explains the literary writing of Ding Ling’s 1927-1949 creative period from the perspective of "cultural break-in",investigate that Ding Ling,as a modern cultural person,has drawn diversified cultural resources in the field of modern Chinese culture and carried out an active "cultural break-in" and cultural construction,created a series of literary works that both witnessed the historical process of modern Chinese literature and recorded the cultural perception of individual life.Despite the pain and confusion in this "break-in" process,it also shows the persistent creation and immortal soul of this generation of Chinese writers on modern Chinese culture. |
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