The Use Of Light Accumulation Of Ink In Landscape Painting

Tao Yuanming's poem says "I am not adapt to the earthliness when I was young.I love hills by my nature actually".The artistic ideal I pursue are getting rid of miscellaneous desire,making the soul clear,combining with nature and getting the heart back to nature.Landscape painting is not only the expression of nature and scenery,but also the artist's inner world.The emergence and development of undertint layers of ink is influenced by the simplicity view of nature in lao-zhuang philosophy,and is also based on the Taoist concept of "stoicism".Landscape painters express their different notions of art and pursuits through their works.The emergence of the undertint layers of ink is the result of the development of the artist's self-discipline." Paleness" is a kind of "regression" after tending to mature.The paleness of form and trace is related to the mood of stoicism.I will analyze and discuss the style characteristics about reserved of shallow layers of ink through the painters who are good at undertint painting.The free and elegant temperament shown by layers of light ink just like Si Kongtu article of dilute saying.clear in vision and gentle in touch.Landscape and flower-and-bird paintings have gone to pure ink under the background of traditional Chinese culture,which advocates connotation and reserved manner.The emergence of wash painting is the necessary prerequisite of undertint and dark ink,Wang wei's wash painting breaking techniques in the addition of water in the Tang Dynasty.so that the ink shows a wide range tone.Undertint layers of ink by the intention to create dark and undertint ink.Formation of the theory of "in order to thirsty to moist" as the basis for the developing and inheriting.From the Five Dynasties to the Ming and Qing Dynasties,there is no lack of people who can use undertint layers of ink.Just like Ju Ran,Li Chen,Ni Zan and Dong Qichang.Undertint layers of ink regarded as one of the indispensable skillful painting techniques in the process of landscape painting creation.The formation and development of undertint layers of ink has its unique value and significance.In terms of its spiritual aspect,undertint layers of ink is the materialization of traditional Chinese philosophy to some extent.In addition to the transition effect can be generated on a practical level.It is also an important means of making the mountain to produce a sense of space.the use of undertint ink can also make the picture with Oriental charm ink and with moist and thick on the same time.Undertint layers of ink is not mediocre,but exposed with the temperament and study.It is the result of too much ornament makes final return.This article will regard the layers of light ink as a starting point,talking about the artistic conception about "like pale but actually beauty" in the landscape painting.Combining the observation and understanding of Ni Yunlin,Dong Qichang,Yun Shouping and other people about the reality and the layers of light ink.This article will explore how they express the inner calm through the layers of light ink,so as to achieve spiritual freedom sequentially.