Explanation Of The Creation Of The Documentary "The Way Out"

Poverty has always been one of the most acute problems in China.As of 2014,the Department of International Cooperation and Social Poverty Alleviation of the Poverty Alleviation Office pointed out that China's existing poor population reached more than 70 million,accounting for a large proportion of the world's poor.The poor are mostly concentrated in high mountains.Among the 34 provincial-level administrative regions in China,Guizhou Province has 5.75 million poor people,and is listed as one of the main battlefields in the country to fight poverty.The documentary "The Way Out" focuses on the theme of poverty alleviation,caters to the country's overall strategy of precision poverty alleviation,and tackles poverty alleviation,telling the story of the people who are in poverty.The film uses a plate-like non-linear narrative structure to tell the story of poverty alleviation in Wumengshan area of Guizhou province.The poverty alleviation story has been embodied into two typical poverty alleviation figures,including the entrepreneurial industry poverty alleviation of Yu Liufen,the party secretary of Yanbo Village,Guizhou Province,and the rural tourism poverty alleviation of Tao Zhengxue,the secretary of Niangniangshan Village,Guizhou Province.The total duration is 31?54?.The film aims to show the poverty-relief work and spirit of the poverty-stricken people from the epitome of two poverty-reduction stories,and use simple lens language to tell the public about this great era and those respectable and lovely people.The article elaborates on the details of the documentary "The Way Out"" in the creative process,including the preliminary preparation,the shooting process,the editing process,and a summary of relevant lessons.The first part explains the background of the topic selection,and sorts out the current status and research materials of targeted poverty alleviation.At present,the public pays less attention to the poverty alleviation cadres.Related theories of targeted poverty alleviation.The second part explains the preliminary preparations of the creative process,including field research,establishing characters,drawing up the narrative structure,refining the main storyline of the work,and using the work as the basis for a variety of narrative perspectives and plate-type narrative structures.Exposition.The third part discusses the shooting methods used in the mid-term shooting process and the skills of in-depth interviews with characters.The fourth part elaborates the post-production editing in detail,including material arrangement,script writing,rough cut and fine cut.When editing a documentary,it is necessary to make reasonable choices for effective materials,pay attention to the narrative ability of the picture,and express clearly and concisely.theme.At last,the experience and inspiration of this creation are summarized,the problems existing in it are deeply introspected,and the future prospects of poverty-relief documentaries are prospected.After this practical creation,it is not only an accumulation of practical experience,but also a process of self-awareness,self-denial,and self-acquisition.Under the influence of new media,the documentary narrative will gradually become fragmented,focusing on the audience's viewing needs.Innovate in content and viewing modes,with multiple media that value new media dissemination and traditional media disregard as communication channels.