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How Peasant Writing Becomes A Literary Theory Problem

Posted on:2021-12-17Degree:MasterType:Thesis
Country:ChinaCandidate:W Q TanFull Text:PDF
GTID:2515306302473514Subject:Literature and art
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As a unique writer in the history of Chinese literature,Zhao Shuli shows his superb writing skills in his works,and at the same time creates a group of vivid images of farmers in his works.In shaping the artistic image of the farmers,Zhao Shuli contacted the rural environment he grew up in and created as a "son of the land".She gave a keen concern to the new generation of young and progressive farmers and encouraged their progress.When depicting the old generation of peasants with feudal thoughts,he can accurately point out the shortcomings of the old generation of peasants,and finally complete the transformation of them.For the middle peasants,Zhao Shuli tried his best to persuade them and sometimes felt sympathy for their miserable situation.When Zhao Shuli depicts the image of farmers,on the one hand,he can see the complexity of farmers,on the other hand,he can see the uniqueness of the image of farmers belonging to Zhao Shuli alone.Therefore,the image of farmers created by Zhao Shuli is successful.However,when the author combs the image of the farmers created by Zhao Shuli,at the same time,it also finds some limitations of Zhao Shuli in the creation of characters.Therefore,the author tries to comb out the unique and insufficient of Zhao Shuli's image of farmers,so as to grasp it in an all-round way.This article is divided into four chapters.Firstly,it explains Zhao Shuli's farmers' writing,mainly based on the previous interpretation of the concept of "farmers' writing",and then discusses how Zhao Shuli wrote farmers.The second chapter is mainly on the basis of the text to summarize and tree the image of farmers created by Zhao Shuli.It is not difficult to find that the complexity of the farmers created by Zhao Shuli,on the one hand,is the temptation of money,which leads to the loss of family relationship;on the other hand,when yearning for love,it will receive obstruction from many aspects.On this basis,Professor Zhao Yong once proposed that there is similarity between Zhao Shuli's farmers' writing and Chekhov's farmers' writing.In this direction,the author discussed and found the similarities and differences between Zhao Shuli and Chekhov's farmers' writing.The third chapter is on the basis of the second chapter,to dig into the image of farmers created by Zhao Shuli,and classify them,and from the perspective of literature and art,to find their literary value,that is,to study how Zhao Shuli created the three types of images of farmers,and what choices Zhao Shuli made,and what kind of support of literary concept.The fourth chapter is to return to the specific text,from Zhao Shuli for the old-fashioned women's Liberation problems to find out its shortcomings,and Zhao Shuli in the novel to strengthen the political factors to solve the problem,so as to find Zhao Shuli to deal with the problems in the novel of stylization and limitations.
Keywords/Search Tags:Zhao Shuli, image of peasant, literature theory, limitation
PDF Full Text Request
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