Seeing The Cultural Integrity And Innovation In Xinjiang In The New Era From The Perspective Of Qin Opera Music

The artistic essence of China's ethnic folk music has a long history,extensive and profound.Where folk music is an important part of traditional music and its artistic value and reference significance in the whole of China ethnic folk music status is important.The ethnic folk music of China is affected by the terracy-like distribution of terrain from east to west and the climate caused by the geographical latitude from south to north.The geographical environment becomes complicated,and the music also has the characteristics of "regionalism" because of the differences in the geographical environment.The diversity and spatial distribution of folk music types in different regions have shaped the geographical regionalization of different folk music styles with different regional characteristics.Qinqiang Opera is one of the traditional operas with the longest history in Northwest China.It was introduced into Shaanxi Province with Yiyang Opera,combined with other operas and gradually influenced by the terrain and local customs of Shaanxi Province,and gradually formed the later Qinqiang Opera in Shaanxi Province.Qinqiang Opera is a kind of opera culture,which expresses the thoughts,emotions and personality characteristics of the people in Northwest China,thus forming the most basic cultural characteristics of Qinqiang Opera.Nowadays,with the development of modern society towards fast food,the social significance of more and more kinds of traditional art is gradually declining.Since the Qing Dynasty,with the gradual unification of Xinjiang by the Qing government,the Qinqiang Opera has flowed into Xinjiang through personnel migration.The development of Qinqiang Opera in Xinjiang cannot be separated from the ethnic cultural identity contained in the drama culture of diverse cultures.This article mainly around Qinqiang Opera in xinjiang this for more than one hundred years,for the new age of xinjiang region xinjiang region qinqiang opera creation and new era qin culture present situation,in the new era of the xinjiang region of modern drama " pomegranate inn " as an example,discusses the region in xinjiang and qin wiped out a combination of the opera new spark.This article is divided into five parts.In the introduction part,the author introduces the main purpose of the topic,the research status at home and abroad as well as the methods and ideas of the paper.In the first chapter,the author introduces the formation,root and evolution of Qinqiang music in Xinjiang,and what kind of original music soil is in Xinjiang.How Qinqiang music spread to Xinjiang;What kind of chemical reaction does Qinqiang music "grow" have in Xinjiang region;What is the appearance of Qinqiang music in Xinjiang,and what is the appearance of Urumqi Qinqiang Opera Troupe bred in such an environment? The first chapter is mainly discussed from the above aspects.The second chapter the author mainly discusses the urumqi Qin Jutuan under construction since its birth in how to inheritance,exploration,innovation,protection of qin talks about music and so on,which lead to urumqi Qin opera troupe new modern qin opera "pomegranate inn" the whole creation process,including the creation background,concept,etc,are analyzed in detail in this paper.In the third chapter,the author discusses the overall characteristics of music creation of modern Qin opera "Pomegranate Inn" in detail,and discusses the regional characteristics,times characteristics,dramatic characteristics,musical characters characteristics and stage design of Qinqiang music in "Pomegranate Inn".In the fourth chapter,the author discusses the thinking and prospect of Xinjiang Qinqiang music in the new era.And the development and thinking of Qinqiang music in Xinjiang from the modern Qin opera "Pomegranate Inn".The CPC Central Committee and the State Council attach great importance to the excavation,inheritance and protection of the excellent traditional cultures of various ethnic groups in Xinjiang,providing a strong backing for the inheritance and protection of the intangible cultural heritage in Xinjiang.It has strengthened the people of all ethnic groups in Xinjiang's recognition of our great motherland,the Chinese nation,Chinese culture,and the path of socialism with Chinese characteristics.This is also enough to see the importance of cultural embellishment work.In addition,this chapter also involves the identity expression and cultural identity of composers and playwrights in the process of creating plays.In the process of enhancing cultural identity,the author should firmly grasp the right direction,innovate methods and methods,and make the core socialist values silent.