A Study On The Inheritance Of Confucian Cultural Genes Of Chinese Animation Hero Images

In Confucian culture,the concept of "hero" is an eternal topic,which continues to develop up to now along with the historical process of human society."Hero" behind the cultural research meet the unity of theory and practice,the art of animation as the common transmission form,Confucianism as the core,through the hero motif of inheritance and the story of narrative to achieve the Confucian culture gene in animation hero,and through the formation of animation heroes "IP" cultural creative industry in China develops the new world.The thesis includes three parts:introduction,text and conclusion.The text is divided into four chapters.This paper expounds the Chinese animation school and its theory in the historical inheritance,the generation of Chinese animation Confucian cultural thought and its cultural gene,the construction of hero image in Chinese animation and its value construction,and the "activation" and creative extension of Chinese animation.The first chapter mainly summarizes the animation film works with Chinese national characteristics,analyzes the creation characteristics of the group of Chinese animation film creators,and summarizes the three stages of the development of the school of Chinese animation film,namely the initial stage,the formative period and the brilliant period,and finally forms the animation theory with Chinese characteristics.The second chapter firstly analyzes the Chinese animation and its meme theory and clarifies the role of meme in cultural inheritance.Secondly,the relationship between heroes and Confucian culture is analyzed.Early animation heroes,as children’s role models,incorporate traditional culture into them,so the core of animation cannot be separated from the construction of Confucian culture,and finally,the hero motif and the grand motif in the traditional narrative of animation.Starting from the great theme of life,to the hero motif and then to the hero theme,the emergence of heroes is the public’s desire and good expectation for survival and life.The third chapter firstly presents the original content in a new way and ADAPTS to the modern cultural context by retelling the animation of the traditional heroes.Secondly,it presents the expression form of the heroic-themed animation.Analyzing the effect of audio-visual art on animation,the audio-visual environment of animation is not only the highlight of animation,but also the shaping of the atmosphere sense of hero image.Finally,the hero and the "mirror image" of the hero are analyzed.The generation of "mirror image" hero is the choice of The Times.Different times need different heroes.Through the analysis of heroes and "mirror image" hero,we can have a deeper understanding of the image of animation hero.The fourth chapter is the "activation" and creative extension of Chinese animation.By analyzing the formation of animation hero "IP",it is proposed that the construction of "IP" cultural and economic industrial chain is not only the "activation" of Chinese animation,but also the new development direction of China’s cultural and creative industry.In the nearly one hundred years’ development of Chinese animated films,the motivation of the transformation and development of Chinese culture is not only from the external power of social change,but also from the internal demand of cultural development and reform,and more from the impetus of scientific and technological progress,especially the breakthrough development of communication technology.Therefore,to fully explore and carry forward China’s excellent traditional art and culture,shape Chinese animation images in the new era,and create the "IP" of animation hero culture are not only to develop China’s cultural industry,but also to export China’s culture to the outside world and spread the national cultural connotation.