Anthology Of Misty Poems And Research On The Canonization Of Misty Poems

Since the end of 1970 s,Obscure Poetry has appeared for more than 40 years.Under the joint action of various forces and factors,such as poetry critics,literary historians,writers and readers,it has become an important existence in the history of contemporary literature.Among them,the selected book as an important force in the construction of the classic of Obscure Poetry.This paper takes part in the construction of the poetic concept of Obscure Poetry,focuses on the display of Obscure Poetry,promotes the extensive dissemination of Obscure Poetry to break the limitation of time and space,and continues the artistic vitality of Obscure Poetry.It can be said that as the "living fossil" accepted by Obscure Poetry,the anthology of Obscure Poetry records the form of Obscure Poetry in different periods,which provides an important point of view for the study of the classicization of Obscure Poetry.However,in the study of the classicization of Obscure Poetry,few researchers have studied the selected books as a special topic.Based on the anthology of obscure poems published since 1980 s,this paper focuses on the poetics,the form of obscure poems,the order of representative poets and the readers’ reading acceptance.The text of this paper is divided into four chapters: the first chapter is mainly from the analysis of the identity of the selected family,the operation process of the selection of poetry,and the idea of the selection,showing the evolution of the poetic concept in the process of the classic of the hazy Book of songs.In the 1980 s,the selected poems were mainly compiled by young teachers and students in colleges and universities,and the external pressure of poetry selection and publication was alleviated by the operation of teaching reference materials.With the establishment of the classic status of the Obscure Poetry,the study of Obscure Poetry is becoming more and more academic.In the preface,the poetic theory of Obscure Poetry is constructed according to the standard of academic research,which shows a historical anxiety.This anxiety is mainly derived from confirming that Obscure Poetry is for poetry in the new period.Even the starting point of literature in the new period.The second chapter combs the selection of hazy poems one by one,and explores the shaping of Obscure Poetry form by analyzing the ranking of selected poets and the number of selected poems.The results show that the obscure poems of the 1980 s are mainly selected from literary criticism,and the modernist poems that appear in the late 1970 s,which are different from the "17 years " and " Cultural Revolution " literature,present a mixed scene of poetry: the college students’ poetry movement,the " third generation " poetry movement and the social youth poetry creation are the important driving forces of the Obscure Poetry tide.The selection of obscure poems after the 1990 s is mainly based on literary history,which attempts to integrate the Obscure Poetry activities recognized by the mainstream poetry circles in the 1980 s and the "underground" poetry activities into the historical narration of hazy poems.Through the operation of the literary history of the divided schools,the poetry movement of college students,the poetry movement of the "third generation" and the creation of social youth literature have been stripped out of the Obscure Poetry tide,while the "underground" poetry activities,which are mainly "Guizhou poets group "," Baiyangdian poetry group" and "today’s school ",have become an important component of the Obscure Poetry tide.The third chapter uses the bibliometrics method to present the order change and the image of the representative hazy poet in the selection space.To paraphrase one critic,the selection of hazy poems in the 1980 s formed such a poet order : " six avant-garde poets " ——Beidao,Shu Ting,Gu Cheng,Jianghe,Yang Lian,Liang Xiaobin "triggered the overall situation ",set off poetic changes in special years," the sensing group of Obscure Poetry" —— Wang Xiaoni,Xu Jingya,Lu Guipin,Li Gang,Fu Tianlin and so on formed " artistic chase ranks ",which expanded the influence range of Obscure Poetry tide.And the "excavation" of the "underground" poets since the 1990 s has changed this order.In the selection of hazy poems after the 1990 s,the index finger and Huang Xiang are the "pioneers" of hazy poems,and the "today’s school" poets,such as Beidao,Munk,Dodo,Shuting,Gu Cheng,Jianghe,Yang Lian,Genzi,Tian Xiaoqing,and finally —— Liang Xiaobin and Wang Xiaoni.Among them,the poems of Beidao,Shu Ting and Gu Cheng were basically stereotyped in 1978-1983,and the premature stereotype made the poet’s creative style clearly identified on the one hand,and the poet’s image acceptance showed a simplistic trend on the other.The selection of hazy poems highlights the image of the cold critic and the seeker of poetry and art in Beidao,the image of Shu Ting’s female consciousness awakening and the image of Gu Cheng’s aestheticist poet.In the middle and late 1980 s,Munk and many poems with modernist style got the opportunity of evaluation and affirmation with the avant-garde aesthetic understanding,and the style tendency of index finger "popularization" and the spirit of forbearance fit the mainstream values,which promoted his poetry status.The fourth chapter,with the help of the theory of literary sociology,explores the way of dissemination,the formation of readers and the characteristics of readers,and reveals the reading acceptance of obscure poems.The selected poems of 1980 s are mainly composed by teachers and students,published by university publishing house,and take young students as the main reading group.Since 1990 s,the anthology of obscure poems has established the classic status of hazy poems through three different channels of acceptance: professional anthology of obscure poems has become the reading material of college teachers and students,and has consolidated the classic status of hazy poems through teaching materials and teaching practice.