The Use And Expression Of Gold In The Traditional Blue-green Landscape Paintings

Starting from the ontology of Chinese painting creation,the gold in the metal colors of Chinese painting taken as the research center,the analysis of art history and ancient classical works taken as the method,combined with my own painting practice and on-the-spot investigation,I technically explores the uses of gold in the Chinese traditional Blue-green landscape painting in this paper,to explore the aesthetic ideology and realm of the predecessors andtoseek the epoch significance of inheritanceofthe unique ethnicculture and art throughdemonstrating of the uses of gold in Blue-green landscape paintingnot only basing on experience levels,but also receiving theoretical height.Firstly,fromthe perspective of color word “blue-green”,the reasonswhy the blue-green series could be established under the background of itsopposition of traditional view of colors of our nation were explored,and further,the completion of skills and styles of the Blue-green landscape painting wasinvestigated.From texture research ofthe color word “gold-green” to the style features of Gold-green landscapespainting,the color characteristics and uses of gold as the metal colors of Chinese painting were researched.Through the literature and painting remains,the Gold-green landscapeswere proof to really exist by comparingthe similarities and differences betweenBlue-green landscapes and Gold-and-green landscapes,that is,the uses of gold was proof to really appear in the early form of Gold-green landscapes.The relationship between the “quality” and the “text”in "blue-green asquality,gold-green as text" reflects the true application of gold in the completion process of blue-green system.Secondly,from the perspective ofcultural attributes of gold,either the relationship between the gold and the Taoist cultureor the relationship between the gold and “Immortal Mountain” of Taoism was studied.With the example of the application of gold in“Immortal Mountain Pavilion Figure “from Tang dynasty Li Sheng,the skillssuch as outline in gold,hook gold and dyeing gold were probed into on the performance of artistic conception of “Immortal Mountain”.Meanwhile,the relationship between the gold and the Buddhist culture as well as the relationshipbetween the gold and “Pure land world” of Buddhism was studied.With the example of Fahai Temple murals,the skill ofgelled patterning and gilding was probed into on the performance of the holy land of Brahma.The relationship between gold and royal privileges and feudal hierarchy was studied,too.With the example of “Palatial GardenFigure”,the application of gold in the traditional paintingwas probed into,and in the performance of artistic conception of royal magnanimity.From the perspective of material characteristics of gold,aesthetic implication of gold in Blue-green landscape painting was studied.Thirdly,the status changing of gold in each development period of Blue-green landscape paintingin the change process of style from “illuminating each other between gold and green,and the law coming into being” to “losing the glory and retreating,giving place to ink painting ”was studied.At last,the possibility of the use and development of gold in contemporary Glue-green landscape paintings was studied through the research of use and status in Japanese painting,furthermore,a way of broadening the materials and techniques for the development and innovation of Chinese traditionalpainting is provided.