The Singing Analysis And Version Comparison Of The Aria "Ode To The Moon"

The aria "Ode to the Moon" is from the opera "The Water Nymph" by Czech composer Dvorak.This paper systematically analyzes the aria "Ode to the Moon",and analyzes the key points and difficulties of singing practice in terms of breath,vocal position,and music processing.Differentiate research.If the research on its music is only superficial or purely musical,it is obviously insufficient.This paper conducts a comprehensive analysis and research on this piece,which has great theoretical significance for promoting the analysis of music texts.In the aria "Ode to the Moon" The singing also provides valuable reference and reference.Since the birth of the work,many singers have interpreted it.On the basis of theory,this paper studies different singers: Czech soprano Mirada Subotava and American soprano Renee Fleming’s interpretations and their The contrast between them,and the more organic combination of music ontology and vocal singing from the technical level of singing.I believe that through the study of this song,we can provide a better reference for the work "Ode to the Moon" both theoretically and practically.