Analysis Of The Style Grasp And Performance Interpretation Of The Second And Third Movements Of The Erhu Concerto "Plumbing In The Spring River"

"Chunjiangshuinuan" is an erhu concerto written by Mr.Jin Fuzai in 1994.The theme melody of this work absorbs the Jiangnan folk tone,has both national mode and western harmony sound,and makes the Jiangnan style music language fully displayed in the music through the Jiangnan erhu playing technique.Compared with the traditional Jiangnan music works,this work not only retains the graceful and elegant characteristics of Chinese traditional music,but also draws lessons from the creative techniques of western tunes,so as to communicate elegance and vulgarity and blend China and the West.The accurate portrayal of the exquisite artistic conception and musical image of the music shows the strong skill of the composer in the relationship between sound and painting,which is also the uniqueness and innovation of this work.In this paper,taking the second and third movements of music as an example,according to the author's personal playing experience,comparing and listening to different playing versions,through the grasp of the musical style of the works and the analysis of playing techniques,to explore the unity of creative style and performance techniques,and the organic combination of emotional expression and performance techniques.It lays a solid foundation for the performance and interpretation of the works,and summarizes the experience for playing the same type of works in the future.