A Study Of Jinghu Music In The New Historical Drama "The Road Of Generals"

The newly edited historical Peking Opera Jiang Jun Dao is a work made by the Shenyang Peking Opera Theatre in recent years,and the purpose of creation is also to impact the awards of the 6th China Peking Opera Festival,and finally the awards are successful.Contemporary Peking Opera music creation presents a variety of innovative elements,which are reflected in various aspects,and the same is true of Jinghu music.As an influential work created and performed by a representative local Peking Opera Troupe,Jiang Jun Dao has a certain universal significance in Jinghu music and its creative process.This article takes Jiang Jun Dao as the object to study the way its Jinghu music was created and performed,and the appearance it presents.This article is divided into five chapters:The first chapter first briefly sorts out the historical evolution of the Shenyang Peking Opera Theater,the founding unit of the play,and introduces the achievements of the play and the story content.And on the basis of a certain field,the position of Jinghu music in the Peking Opera repertoire is explained from the selection of important creators of the play,the structure of the Jinghu musical instruments,the concept of the "Jinghu player" and the position of Jinghu in the orchestra.The second chapter is based on spectral analysis and fieldwork,and discusses the creation of Jinghu music in the three stages of the early stages,division and synthesis of the play.In the early stage,the composer and the violinist jointly completed the preliminary design of Jinghu music.The split rap stage highlights all the playing techniques used by the pianist Ma Jun in this play and the modification of some Jinghu music.The final synthesis is mainly modified according to the actual situation.The third chapter analyzes the innovative elements of Jinghu music in this drama from three aspects:singing voice,Western orchestra and character theme music through specific notation analysis,sound effects,and field interview data.The fourth chapter discusses the different roles of Jinghu music in the repertoire,based on the comparison of traditional works.The first half of this chapter provides a more detailed comparative analysis of the specific role of Jinghu music in the structure of the repertoire.The second half combines the plot with the actual performance of the organist to illustrate the dramatic differences in the repertoire.The fifth chapter explores the characteristics of the Jinghu music creation of Jiang Jun Dao from a contemporary perspective.To a certain extent,it inherits the creative relationship between traditional composers,Jinghu player and "leading role",and continues the stylistic and improvisational nature of traditional Peking Opera music.And under the influence of many factors,the style of Jinghu music and the creative concept of the composer have a certain innovative development.