The Influence Of Lang Shining’s Flower And Bird Painting On Enamel Painting Of Porcelain Body Painting In The Three Dynasties Of Qing Dynasty

As a kind of painting with flowers and birds as the object,flower and bird painting has developed in many ways to develop in the Qing Dynasty.The impact of Western painting on Chinese court flowers and bird paintings began with the painting practice of Western missionary painter Lang Shining in the Qing Dynasty in the Qing Dynasty.He founded the style of new body painting based on the bright and dark three-dimensional painting method,and pursued the truth of color in the sense of volume,but did not lose the charm of Chinese painting.This compatibility has been appreciated by the royal family,so this style of painting is popular in the decoration of various crafts in the Qing Dynasty.Looking at the obvious traces of western painting on the three generations of the Qing Dynasty,there is no more than the porcelain tire enamel.The flowers and bird trees on the porcelain painted have the light and shadow body of Lang’s flowers and birds.This article discusses the relationship between Lang Shining flower and bird painting and porcelain tire painting enamel painting:Chapter 1 Overview the influence of Western paintings before and after Lang Shining’s entry into China on the court painting in the late Ming and early Qing dynasties.In the late Ming and early Qing dynasties,the palace gongbi flower and bird paintings showed three different forms of expression,double hooks,and Chinese and Western combinations;Chapter 2 Discuss the influence of Lang Shining on the three generations of courts and bird paintings of the Qing Dynasty from the two parts of Lang Shining in the court painter and catering to the emperor’s aesthetic fashion.Analysis,highlighting Lang Shining’s works to retain the characteristics of European painting,accurate anatomy,and a certain three-dimensional sense,which also has the characteristics of clear and vivid traditional Chinese photo painting,forming a folding and medium painting style that mainly focuses on Western and France;Chapter III combines the research on the characteristics of Lang Shining flowers and bird paintings,and studied the relationship between image analysis and comparative analysis.Enamel painting decoration is compared in the same period.Compared with the effects of Lang Shining and porcelain tire painting enamel paintings in the shape of flowers,birds and stones,and light and dark light shadows,The fourth chapter discusses the significance of Lang Shining flowers and bird paintings on Jingdezhen’s pink development,and has a deeper understanding of the impact of Lang Shining flower and bird painting on the development of color porcelain.In this article,through the study of the Lang’s flower and bird painting,the relationship between Lang Shining and the three generations of courts and birds in the Qing Dynasty,through the influence of Lang Shining’s status in the Qing Palace painter,analyzed the Lang Shining flower and bird painting to the third generation of porcelain tire painting enamel enamel enamel.Painting has an impact since the Yongzheng period,and inherited this style characteristics during the Qianlong period and continued to affect.