Research On The Shape Of Eagle Pattern In Northern Bronze Ornaments

In ancient times,the best of eagles-Haidong Qinghai can only be owned by the supreme ruler.It is not only regarded as extremely precious,but also endowed with special significance.In Mongolian culture,the eagle is a symbol of ferocity,quickness and strength.The analogy of heroes with eagles is even more common in Mongolian epics.It can be seen that the eagle is a kind of raptor that the nomadic people in the north of China love very much.With the passage of time,the nomadic people in the north of China began to believe in the culture of Shamanism.In the process of cultural development,the combination of the local concept of eagle worship and the concept of Shaman deity worship led to the emergence of the eagle myth with strong Shaman cultural color;Among them,the worship of eagles in plastic arts is reflected in shaman costumes,murals,works of art(bronze,gold and silver),etc.Because there are too many plastic arts related to eagles,this paper defines the scope of study as "eagle pattern in northern bronze decoration" for special research.This article takes the "eagle pattern" in the northern bronze decoration as the starting point.Specifically,in the first chapter,it combs the geographical environment,the connotation,classification and source of the eagle pattern in the northern bronze decoration,and then combines the contents of historical records and paintings to sort out;As well as the background introduction of dating,it lays the groundwork for the content of other chapters.Then in the second chapter of the paper,combining with a large number of examples of eagle bronze,the author further analyzes the theme,function,modeling rules of "eagle" in the northern bronze decoration,as well as the combination and classification of eagle bronze.In the third chapter of the thesis,the relationship between the eagle pattern and aesthetic psychology in the northern bronze decoration is further explained,the relationship between the eagle pattern and early belief is studied,the eagle pattern is placed in the long river of history,and its artistic and aesthetic characteristics,as well as its ethnic aesthetic psychology and deep implications are explored.In the fourth chapter,with the help of archaeology,historical documents and ethnographic materials,starting from the eagle pattern in the decoration,the author discusses the local circulation process of the bronze decoration in the northern bronze system and its impact on it,the relationship between the culture of Schitai,Karasuk and the culture of the Central Plains,as well as the aesthetic value and practical significance.Finally,it is concluded that the eagle pattern in the northern bronze decoration reflects the attitude and view of the ancient northern nomadic people towards beauty.The objectification of artistic activities in the scale of beauty is a way for them to master the world and understand the world.In the process of its formation,many scattered and isolated ethnic units are contacted,mixed,connected and fused.Similarly,this is also the common process of the formation of ethnic cultures around the world.This paper attempts to investigate the significance and influence of eagle patterns on northern bronzes and northern nomadic peoples through ethnology,semiotics,art anthropology and other methods,according to the previous understanding and records.The above is what this paper wants to achieve in the overall study of the plastic arts of the northern nomadic peoples through the study of the plastic arts of the eagle pattern in the northern bronze decoration.