| By the end of 2021,194 industrial units have been listed in the national industrial heritage protection list.This also means that in the post-industrial era,China has begun to explore the protection and reuse of industrial heritage to solve the difficulties faced by some industrial enterprises during the industrial transformation period of "retreat from two to three".The mode of vigorously developing the integration of "culture,tourism and industry" has become an important driving force for the transformation and upgrading of traditional industries,and is also one of the effective ways to protect and reuse industrial heritage.However,in the process of the practice of a large number of first-tier and second-tier cities,due to the lack of clear design guidelines and overall development goals,the phenomenon of vague positioning,convergence of features,"landscape aphasia" and "crowing but not crowing" is gradually exposed.The industrial heritage is facing the difficult situation of "having stories but no carriers",and the urban industrial context is about to face a fault.Even some sites are faced with specific problems such as lack of public space,urgent need for iteration of infrastructure and dilapidated buildings,resulting in low public recognition of industrial heritage,loss of interest in viewing and playing,and difficulty in the development of industrial culture and tourism.This has not only seriously affected the creation of industrial cultural scenes,but also hindered the speed of the integration and development of traditional industries and emerging industries,and also reduced the possibility of realizing the dynamic inheritance of industrial historical and cultural heritage.The intervention of narrative landscape is an important opportunity to solve the above problems.At the turning point of the post-industrial renewal era,the construction of a complete landscape narrative system can form a two-way interaction between tourists and landscape sites,achieve a higher level of cognitive generation of traditional industrial culture,establish a spiritual communication link between sites and users,and transmit more profound industrial culture semantics,thus triggering emotional resonance and cultural identity,and achieve the harmonious coexistence of industry and culture.Finally,the goal of promoting tourism by culture,promoting production by tourism and stimulating the regeneration of the industry is achieved.Based on the above,this paper focuses on the narrative landscape dominated by public memory and place spirit,selects the Nanchong Liuhe Silk Factory,which is dominated by silk culture,as the main research sample,and takes three aspects as the core entry point of the study,namely,creating a cultural scene shared by the whole people,constructing a multi-theme narrative and the transformation mechanism of industrial culture narrative.Starting with the basic theoretical research of landscape narrative and industrial heritage protection and utilization,this paper summarizes the concept,constituent elements,transmission process and construction value of industrial heritage and narrative.At the same time,combining the research and analysis results of the practice site with the practical case experience of the relevant narrative landscape at home and abroad,this paper summarizes and analyzes the narrative design strategy of the post-industrial landscape system from three aspects: theme construction,text organization and rhetoric,and discusses how to excavate and convey more industrial heritage connotation through the narrative landscape,So as to realize the transformation from industrial production space to modern urban cultural and leisure activity space with complex functions.This topic aims to provide a practical design model and practical experience summary for the narrative design of the post-industrial heritage landscape system through the research from the above perspective,and hopes to bring new possibilities for the combination of landscape narrative and industrial history and culture through the discussion of this topic,and realize the two-way symbiosis of industrial culture and industrial upgrading. |