This article takes the Song Dynasty performing arts places as the research subject,and analyzes the distribution of folk performing arts places in Song Dynasty,the types of activities,and the movement of entertainers.The problems of political encouragement and intervention in music activities are expected to have a deeper understanding of urban music activities in the Song Dynasty.The full text consists of three parts:introduction,main text and conclusion.Among them,the introduction mainly states the research purpose,research status,definition of related concepts and research methods used in this subject.The main body of the text is divided into three aspects,focusing on the folk performance places in the Song Dynasty.The first chapter summarizes the Song Dynasty performance places in the literature,and forms different types and functions of music places for different classes.It also analyzes the performing arts groups and audiences that exist in different spaces,and provides the following chapters.The second chapter mainly discusses the political participation in folk performing arts places.Through the attitude and actual policies of the ruling class in Song Dynasty on folk music,Governance,explore the artist’s behavior under the influence of drama policy and its impact on folk music genre.The third chapter discusses the interaction and exchanges between different cultural spaces and folks in the Song Dynasty through folk performing arts places.Through the interaction and interaction between folk music and court music,cultural interactions between different regions,and cultural interactions in the concept of space.Explore the derivation and changes of Song Dynasty music genre in cultural interactive communication,restore the flowing scene of Song Dynasty folk music and the influence of folk music in mobile communication on future generations.Among them,the introduction mainly states the research purpose,research status,definition of related concepts and research methods used in this subject.The main body of the text is divided into three aspects,focusing on the folk performance places in the Song Dynasty.The first chapter summarizes the Song Dynasty performance places in the literature,and forms different types and functions of music places for different classes.It also analyzes the performing arts groups and audiences that exist in different spaces.The second chapter mainly discusses the political participation in folk performing arts places.Through the Song ruling class’s attitude to folk music and actual policy control,it explores the policy in drama.Artists’ behaviors under influence and their influence on folk music genre.The third chapter discusses the interaction and exchanges between different cultural spaces and folks in the Song Dynasty through the folk performing arts places.Through the interaction and interaction between folk music and court music,cultural interactions between different regions,and cultural interactions in historical spaces,Explore the derivation and changes of Song Dynasty music genre in cultural interactive communication,restore the flowing scene of Song Dynasty folk music and the influence of folk music in mobile communication on future generations.In the conclusion part of this article,it is considered that the performing arts venue is used as a medium to connect the performing group with the artists of various colors.The aesthetic orientation of the broad audience determines the subject matter and performance form in the folk performing arts venue.Participants in performances and rule-makers.The attitude and policies of the ruling class on folk music have a direct impact on folk performing arts activities.The will of the ruler controls the overall direction,while local officials restrict the regulation of venue activities and the behavior of musicians in practice.With the ruler’s love and acceptance of folk music,war forces and other force majeure factors interweaving,the Song Dynasty musicians in many Constant flow in space.A transmission channel has been formed between the cultures of various regions,with folk musicians as the link.In addition to the integration and flow of the people and the court,due to factors such as capital relocation,war,and expansion of urban living space,the continuous flow of musicians will spread culture and art in various regions.It is precisely because of the interaction between different regional cultures that constantly injects new vitality into the folk genre in the Song Dynasty,which has a huge impact on the development of subsequent performances. |