Analyze The Performance Of Liszt Sonetto 47,104,123 Del Petrarca In Musical Rhetoric

There is a close connection between music rhetoric and literary rhetoric.The artistic quality of music and literature lies in the expression of emotion.It is worth mentioning that music has a stronger intention to express feelings without lyrics than literature.According to the definition of literary rhetoric,musical rhetoric is inferred to be "in a better way to arouse the emotions of the audience,so as to produce better results." The author through to the classic works of Franz liszt<Annees de pelerinage>in the three Petrarca sonnet analysis,found many music figures of speech,so this paper will study the three songs,for example,the three pieces of music and the figures of speech used to play,in order to make the more playing process can burst into life,showing a deeper connotation.This paper consists of three chapters:In the first chapter,what is musical rhetoric,and explain the macro and micro theory of musical rhetoric.The second and third sections will explain the meaning of musical figures of speech,and then give a brief introduction to "Riba musical figures of speech" and "Wengel musical figures of speech".Finally,this paper classifies the musical rhetoric symbols studied by the author and introduces the correct methods of using them.The second chapter is the core chapter of this paper.It will analyze the performance of three Petrarch sonnets by combining musical rhetoric symbols and poetry.In the third chapter,the influence of musical rhetoric on the performance of piano players is firstly studied from the two processes of"analysis" and "performance",and then the advantages of musical rhetoric theory compared with other performance theories are explained,and the results of social research are presented.I believes that if music players can understand musical rhetoric,they will be able to more accurately and completely present the ideological connotation of the work,and can better carry out the "second creation" within a reasonable range.I hopes that through this thesis,more pianists in China can understand and use musical rhetoric,and make a contribution to the development of musical rhetoric in musical performance.