In the historical process of human development,disasters always follow them.In the process of coexisting with different types of disasters,human beings continue to accumulate experience and wisdom,and explore concepts and countermeasures that are beneficial to human sustainable development in the cultural heritage of different layers and domains.The new coronavirus has swept the world,and the new crown epidemic has a profound impact on the world.It changes people’s production and life,organizational structure,way of thinking,behavior concepts,etc.,and even affects the development process of society.In the face of this major disaster,the epidemic documentary incorporates reality into the thinking dimension of historical thinking,records people and events under the grand historical background,and brings people the current situation by paying attention to the impact of major events on the lives and destiny of ordinary people.Be alert and think.The epidemic documentary uses images to describe painful memories and worries about future survival,examine human beings,and explore the common destiny of mankind,which has extremely important historical value.While documenting reality,documentaries also bear social media responsibilities and historical and humanistic concerns.The creation of documentaries is not only about the pursuit of personal artistic expression,but should be responsible for history and the world.The theme construction of the epidemic documentary and the video documentary complement each other and are unified in the national and even global fight against the epidemic.The epidemic documentary highlights humanistic care from the perspective of civilians,pays attention to psychological protection under the epidemic,records the benevolence of doctors,retrograde responsibility,uses world discourse to build a national image,and protects the community of human destiny with great love.The creator’s value identification affects the material selection,the documentary material selection determines the value judgment,there is a dialectical relationship between meaning construction and video expression,the choice of video language determines the emotional identification,the choice of narrative method affects the communication effect,as a memory and witness of history,the classic epidemic documentary is an artistic expression of video under the guidance of value.There are still many problems in the creation of current epidemic documentaries.Creators need to observe and find problems,improve the creation concept and creation time,and actively explore the application of new media technology.The anti-epidemic documentary has become a powerful text for national image building.From the perspectives of paying attention to individual fate and national image building and dissemination,it comprehensively and three-dimensionally shows the real face of China,and participates in condensing the national emotional identity and calling with a special social force.In the process of the consciousness of a community with a shared future for mankind,and in the grand events that affect the historical process of mankind,it reflects the unique practical value,historical value,social value and cultural value. |