Musical Analysis And Technical Research Of The Guzheng Ensemble "Shao Hua Dan Qing"

The development of the interpretation of guzheng ensemble has only taken about 30 years since its emergence,resulting in a small number of guzheng ensemble works with weak foundation in China.These works can be roughly categorized into the following types:guzheng ensemble works adapted from guzheng solo pieces,guzheng ensemble works adapted from Chinese folk songs,guzheng ensemble works transplanted and adapted from foreign compositions,guzheng ensemble works created by transplanting and adapting other musical instruments,and original guzheng ensemble works.This As a young guzheng performer and composer of the new era,Qian Zhan has recently composed multiple guzheng ensemble works for the "Qing Xian Ensemble"of Nanjing Conservatory of Music Affiliated Middle School,and has achieved good results in various competitions."Shao Hua Dan Qing" is an original guzheng ensemble work dedicated to the 70th anniversary of the founding of the People’s Republic of China.It adopts the form of guzheng trio accompanied by percussion,and maintains the traditional and beautiful melody of guzheng while using the Chinese bass drum to highlight the grandeur of the whole piece.The organic fusion of these two forms expresses the composer’s vision for a bright future during the period of national prosperity and people’s well-being,and conveys a patriotic sentiment.This article will analyze and study Qian Zhan’s composition "Shao Hua Dan Qing" from three aspects.The first part introduces Qian Zhan’s artistic career and her guzheng music works,analyzes her creative ideas in "Shao Hua Dan Qing," and summarizes the characteristics and innovations of the work.The second part analyzes the techniques and elements presented in the work from the perspective of the music form and formality itself,explores the interweaving and collision of guzheng and percussion in terms of music form and techniques,and thus explores the rules and unique creativity and vitality of guzheng ensemble works.In the third part,the author combines her own experience to provide insights on actual performance from the perspective of stage practice.Through the analysis of the overall structure of the work and the differences and connections between various voices,this article studies Qian Zhan’s innovative ideas,techniques,and artistic features in guzheng composition,and deepens the aesthetic understanding of the work at a deeper level.Through the above research,a new understanding of the regularity of guzheng chamber ensemble works has been achieved,and a reference for other performers to understand this work more accurately has been provided,in order to achieve an ideal performance state and stage effect that unifies the "first-level beauty" and "secondlevel beauty."...