Research On The Multi Tone Technique In Qin Wenchen’s Music Works

Qin Wenchen is one of the most representative composers in contemporary China.Studying his music works will help us understand the creative techniques and creative ideas of contemporary Chinese composers.This paper takes Qin Wenchen’s violin concerto "The Border of Mountains","The Sun Shadow Ⅷ" for the piccolo,oboe,clarinet and a percussion player,and the suite "Five Songs on the Horizon" for the cello,accordion and orchestra as the research object,three music works of different creation periods and different genres,from the organization of pitch materials,timbre and sound,rhythm and beat From several aspects such as texture and organization,this paper mainly analyzes the application of polyphonic techniques in his works,explores and summarizes how his polyphonic thinking is applied and presented in music works,as well as the innovation and value of his polyphonic music techniques on the basis of traditional polyphonic techniques.This paper is divided into three parts.The first part is the introduction,including the research object,the significance of the topic,the research history and current situation,as well as the research perspective and content.The second part is the main part of the thesis,which consists of six chapters: the first chapter mainly summarizes the composer Qin Wenchen and the evolution of the polyphonic techniques;Chapter two to chapter five is the main research content of this paper.It analyzes the application of multi-tone music techniques in the three works from four aspects: the organization and application of pitch materials,timbre and sound,the organization and application of rhythm and rhythm structure elements,and the organization and application of complex texture forms.The sixth chapter is the elaboration of the composer’s creation style and the embodiment of the national cultural spirit.In this chapter,the characteristics,sources and significance of Qin Wenchen’s multi-tone music techniques are explored from the aspects of the composer’s growth environment,learning experience,aesthetic concept and so on,and the composer’s music ideas,aesthetic thoughts and the cultural multiple elements of the multi-tone music techniques are expounded.The third part is the conclusion,which mainly summarizes and summarizes the research content of this paper.Through the analysis and research of the three works,this paper finds that the composer takes pitch,timbre,rhythm,performance method,texture form and other elements as the basic materials in counterpoint.The polyphonic techniques produced by the organization and application of these materials not only reflect the counterpoint principle of comparison and imitation in traditional polyphony,but also have creative and national traditional Chinese music concepts.Qin Wenchen,the composer,explored a path of national characteristics with Chinese native music language in his music creation,and annotated the Chinese traditional culture and national characteristics spirit contained in contemporary music creation with his unique music concept.