The Research On The Application Of Self-reflexive In The Creation Of Self-documentary

The article is dedicated to exploring the application of self-reflexive in the creation of self-documentary.Self-reflexive has a unique aesthetic character,in which the creator of the documentary transforms his identity into a special and important role in the film,allowing the audience to maintain a relaxed state of mind while watching the film and to ponder the meaning of the film at a deeper level.The creators of self-documentary direct the camera at themselves or their own families,showing the warmth,twists and turns,and quarrels in the family from an extremely private perspective,expressing the creators’ perceptions of individuals and families,families and society,society and the times,as well as revealing the emotional relationships and life experiences.Self-documentary takes the initiative to expose privacy,reveal memory trauma,express hidden relationships,and gives vent to deep-seated emotions,creating a highly distinctive world of human spirit.Regarding the application of self-reflexive in the creation of self-documentary,always discusses it in the context of his own creative practice,"My Mother",aiming to dig deeper into private life through self-reflexive,show the inner spiritual world of the characters,and stimulate the self-reflective consciousness of multiple parties,so as to better play the "healing" function of self-documentary.The purpose is to explore the private life more deeply through self-reflexive,to show the inner spiritual world of the characters,and to stimulate the self-reflexive of many people,so as to better utilize the "healing" function of self-documentary.Based on the above understanding and purpose,the introductory part of the article is organized in four aspects: the origin of the selected topic,the current situation of the study,the research method,and the research innovation.The article mainly uses case study method,practical research method and literature research method to explore the organic combination of self-reflexive and self-documentary.The body of the article is divided into three parts,of which part 2 is the key chapters.The first part is Chapter 1,which explains the concept of self-reflexive and self-documentary,their development course,and the correlation between them.The second part is C hapter 2 and C hapter 3,in which C hapter 2 analyzes "self-exposure" from two perspectives: "superficial" exposure and "deep" exposure.The second chapter analyzes the "self-exposure" to the original ecology and inner state of mind of private life from the perspective of "superficial" and "deep" exposure.Chapter 3 explores the multi-dimensional effect of "multiple narratives" on private life from two perspectives: narratives that form multiple points of emphasis and narratives that form interdependent effects.The third part is the fourth chapter,which elaborates the reflexive on the application of self-reflexive to self-documentary creation.First,it discusses the authenticity of documentaries;second,it discusses the respect and protection of the privacy of the subjects during the filming process;finally,it explains the important role of vario us camera and recording equipment in the application of self-reflexive to self-documentary creation.The concluding section summarizes the practical significance of the combination of self-reflexive and self-documentary,and again emphasizes the importance of the aesthetic features of "self-exposure" and "multiple narratives" in self-reflexive for self-documentary to restore private lives and express individual life experiences.The significance of the self-documentary film is emphasized again.Through the form of private video writing,it provokes the audience to think about the public space and extends the significance of self-documentary in the social aspect.