Research On The Painting Language Of Dong Yuan’s Summer Mountain Picture

The Five Dynasties and the Song Dynasty were the heyday of the development of Chinese landscape painting.Among them,Dong Yuan’s works not only have the tranquil and graceful brushwork of the southern landscape,but also have the vigorous and profound atmosphere of Li Sixun’s northern landscape.The landscapes he writes are not surprising and chapped.The soothing and scattered PI Ma Cun expresses the rustic and warm beauty of Jiangnan.The rich changes of brush and ink and the plain and naive landscape painting style influenced the landscape painters of all dynasties.This paper focuses on the painting language of Dong Yuan’s Summer Mountain Picture and applies it to the author’s creation practice.This paper is divided into three parts.First of all,this paper introduces Dong Yuan’s life and his work Summer Mountain Picture,and analyzes the plain and naive artistic style of Dong Yuan’s landscape painting.Secondly,it analyzes and demonstrates the painting language of Dong Yuan’s Summer Mountain Picture.Among them,in terms of composition,Summer Mountain Picture is wide and wide.It adopts horizontal panoramic composition and hierarchical scenery,showing the scene of peaks and clouds in the south of the Yangtze River.In terms of writing and ink,the use of scattered and interlocking Short Pima Cun and Yu Dian Cun,alternating thick and light ink accumulation method and round and wet spot moss method show the visual effect of soft texture of southern rocks,flat mountains and gentle slopes.In terms of modeling,the landscape modeling of Dong Yuan’s Summer Mountain Picture not only accords with the natural texture structure,but also can express the spirit of its heart.The rocks are gentle and soft,the top of the mountain is mostly made of alum head,the trees are primitive and simple,and the cloud water is flexible and light.This kind of modeling can more vividly and naturally show the plain and idle Jiangnan scenery.Finally,it analyzes the inspiration and influence of the painting language of Summer Mountain Picture on the author’s creation practice.