Research On Emotional Narrative Of Major Realistic TV Series In The New Era

As an important carrier and expression form of mainstream culture,major realistic TV series carry the function of promoting the core values of socialism.Since entering the new era,the spiritual and cultural needs of the people have become increasingly increasing,and the quality and expression of the content of TV art works have also had higher requirements.Therefore,how to show the leading spiritual power of the times with the popular TV art has become an urgent problem to be solved in the innovative development of major realistic TV series.In this context,a large number of excellent works of major realistic TV series shine on the screen.They got rid of the disadvantages of outdated content and preaching in the past,juxtapose history and reality,and view context and feelings together.In the theme connotation,plot framework,image performance and characterization of TV series,they all reflect the characteristics of “emotionalization”,and find the emotional commonality and aesthetic commonality with the audience.This thesis is guided by related theories such as film and television narratology,emotional narratology,and research methods such as literature analysis,case research and text analysis method.It focuses on the in-depth research on the major realistic TV series that has been broadcast in the new era,especially in the past five years,concentrate the elements,contents and presentation methods that are closely related to image narration and emotion,as well as the generation process of emotional meaning in text narration.In addition,emotion is not only a content resource,but also an important component that affects the acceptance effect.This thesis will also grasp the emotional core behind the narrative text and analyze the internal logic of emotional identity.In order to inject fresh blood into the theoretical research and practical creation of major realistic TV dramas,and at the same time arouse the creator’s understanding of the importance of emotion in the text creation and meaning generation of major realistic TV series,so as to better play its role in writing history for the country,lyrical for the people,cultural guidance and influence people with art.This thesis is mainly divided into five chapters.The first chapter summarizes the majoy realistic TV series and emotional narratology.First of all,defines the concept and traces the theoretical of majoy realistic TV series,and briefly outline the characteristics of the major realistic theme TV series in the new era.Secondly,it clarifies the connotation of emotion and emotional narratology,and discusses the conceptual connotation of the fit between emotional narration and film and television drama.Finally,it analyzes the development status of the emotional narration of major realistic TV series in the new era,and points out its shortcomings.The second chapter focuses on the emotional narrative content of major realistic TV dramas in the new era.The emotional narrative content of major realistic TV series mainly involves four parts: poverty alleviation,reform and opening up,people’s life experience,heroes and models.Each part presents different emotional characteristics according to different themes.At the same time,its emotional narrative content also presents unique value significance.In terms of aesthetic value,major realistic TV series replace abstract rationality with emotional logic,and sublimate the daily lofty beauty from the self.In terms of cultural value,major realistic TV series contain profound Chinese spirit,highlighting the spiritual characteristics and aesthetic character of the Chinese people.In terms of social value,major realistic TV series use mainstream emotions to package mainstream values,so as to cultivate the audience’s mind.The third chapter mainly examines the emotional narrative dimension of the major realistic series of the new era from three aspects: time,space and audiovisual.In the time dimension,based on the presentation characteristics of time,major realistic TV series select narrative anchor points to connect emotional memory,outline social reality in a panoramic way at the macro level,focus on specific events at the micro level,and achieve the purpose of expressing emotions and attracting audiences through time division and reorganization.In the spatial dimension,through the choice of narrative space,the major realistic TV series has constructed a very representative and symbolic emotional field,and realizes the presentation of social and cultural landscape and the transmission of values.In the audiovisual dimension,the major realistic TV series unifies the aesthetic sense in form and the speculative meaning in connotation through audio-visual language,so that the emotion is consciously integrated into the ritual interpretation of the image.The fourth chapter deeply discusses the identity construction of the emotional narrative of major realistic TV series in the new era.First of all,it analyzes the role of emotional narrative in the subjective construction of the audience from the perspective of civilians and situational motivation.Secondly,in terms of sociality,the major realistic TV series stitches the character’s individual emotions and collective imagination together through emotional narrative,and combines emotional themes with social themes,which realizes the effective transformation of the mainstream value discourse and coincides with the audience’s viewing psychology.Finally,the major realistic TV series echo the reality with the age story,and summarize the vicissitudes of the country’s history in the deep structure of the home country isomorphism,so that the audience can have a strong patriotic feeling and collective identity.The fifth chapter is devoted to exploring the future development strategy of emotional narrative of major realistic TV series.First,we should show the rich connotation of Chinese stories based on the local cultural background and the people.In addition,it should also be based on international perspectives,discover the general emotions of human beings,and seek common value of human beings.Secondly,we should create a rich emotional level,explain the richness and complexity of the spiritual structure of the characters,and expand the space of emotional expression.Finally,the creator should also pay attention to maintaining the authenticity and life of emotional expression,and deal with the relationship between value orientation and aesthetic interest orientation,and to reasonably interpret emotional value in a sensual but not sensational way.