| The Daur are one of the ethnic minorities in northern China,and their main distribution areas are the Nenjiang River Basin in the northeast and the Tacheng area in Xinjiang.The Daur people are a group that integrates the three production methods of farming,fishing and hunting,and nomadism,which also creates the Daur people not only have the farming culture of the Han people,the fishing and hunting culture of the Manchu people,but also have a nomadic culture like the Mongolian people.Under this premise,the traditional music of the Daur ethnic group has also formed a cultural content with its own distinctive characteristics due to the relationship of cultural integration.Zaindal is a representative folk song musical event in the traditional music of the Daur people,the birth of this musical act is inseparable from the traditional way of life of the Daur people,and the ethnic culture behind it reflects its precious historical value.With the inheritance and protection of intangible cultural heritage in recent years,the Daur-related content has also been greatly protected,and the research on the intangible cultural heritage content of the Daur music has achieved a lot of results in recent years,while the research on the thematic nature of Zaindal has achieved few results in the relevant content.The Daur people in the Tacheng area of Xinjiang have migrated here for more than 250 years due to historical reasons.During this period,the Daur people who migrated here were affected by objective factors such as local customs and production methods,and their lives,culture,and art also produced some localized changes.The traditional music form of the Daur people,Zaindal,has also produced some changes that are different from those in the northeast region under this flow.However,with the development of social modernization,the inheritance of traditional music and its flux has been affected to a certain extent due to changes in the external environment.By investigating the Daur ethnic group in Asir Daur Autonomous Township,Tacheng City,Xinjiang,and recording and analyzing the current situation of Zaindal inheritance in this area,this paper summarizes the inheritance status of Zaindal in this area.The main text of this article consists of four parts,the first part starts with the historical origins and cultural content of the Daur and Zaindal,and introduces the relevant content to understand the reasons for the formation of their musical content.The second part focuses on the history and manifestations of Zaindal’s development.The third part is analyzed by Zaindal’s repertoire content,accompanying instruments and performance occasions.The fourth part summarizes and integrates the contents of the first three chapters,so as to summarize and organize the intangible cultural heritage in detail,and deconstruct the connotation and value of its expression. |