Font Size: a A A

Study On The New Song Custom Of Liuzhou Yufeng Song Fair

Posted on:2024-07-20Degree:MasterType:Thesis
Country:ChinaCandidate:N M ChenFull Text:PDF
GTID:2545307061996689Subject:Chinese Language and Literature
Abstract/Summary:PDF Full Text Request
Since the 21st century,the rapid development of modernization and urbanization has brought many changes to people’s lives.Under the tide of science and technology,rituals,handicrafts,festivals,and other traditional folk customs have occasionally disappeared or declined temporarily.The traditional Zhuang folk song fairs also face the same situation.A large number of traditional folk song fairs have declined,and the dilemma of folk songs is self-evident.In sharp contrast,the modern urban folk song fairs represented by Yufeng song fair have combined with new media technologies and conformed to the times.While showing the strong vitality of the Zhuang folk song fair,it presents the characteristics and charm of the new modern song customs of the modern song fair.There is much attention and research on the protection,contemporary inheritance,and dissemination of the intangible cultural heritage of the Zhuang song fair in China.However,the unique performance methods,performance contents,performance structure,and communication forms of the song fair in the technical world are still worthy of in-depth exploration and discussion.This paper takes the on-site song and online Tik Tok platform in Yufeng Park,Liuzhou,Guangxi as the field point,trying to focus on how the offline and online Yufeng song fairs are sung and disseminated from the perspective of the survival and change of traditional culture under the new media technology.This paper discusses how technology,as an influencing factor,penetrates people’s life and brings new changes to the song fair,as well as the internal motivation and significance in the development of the song fair,and then explores how the traditional song fair transforms and survives in contemporary society,forming a holistic understanding of the contemporary development and inheritance of Zhuang folk songs.The main body of the thesis is divided into six parts:The first part introduces the natural and humanistic environment of Yufeng Park,focusing on the natural and humanistic heritage of Yufeng Park as a singing place for an urban song fair.The natural environment advantage of Yufeng Park is mainly the natural Yufeng Mountain,and the humanistic environment is reflected in the aspects of humanistic architecture,ballad singing,literati writing,and cliff carving,which together form the unique cultural space of Yufeng Park as an urban song fair.The second part focuses on the general trajectory of the development and evolution of traditional songs and customs in the specific geographical area of Liuzhou Yufeng District,presenting the era characteristics of folk song singing processes influenced by factors such as the times and policies,summarizing the forms and dissemination of traditional songs customs,and believing that the tortuous development of folk songs can reflect the people’s simple feelings of folk songs from the side,which is also the reason for the tenacious survival and development of contemporary network song fairs.The third part focuses on exploring the characteristics and advantages of the new song custom generation space in Yufeng Song Fair,revealing how various factors such as policy and technology work together to generate new song customs in Yufeng Song Fair,and exploring the inevitable trend of the birth of new song customs under a series of measures.In the offline space,the government provides a folk song teaching and singing base for the Yufeng Song Fair as an intangible cultural heritage and provides spiritual and cultural services.The emphasis on Liu Sanjie ’s folk culture and the leading concept of folk songs on the campus guarantee the spread and dissemination of folk songs.In the online space,people use SMS or We Chat to learn and sing folk songs,and use videos or short videos to spread and communicate folk songs;at the same time,the accidental viral folk song video actually conveys that the folk song in the cyberspace has a certain audience,which provides a psychological expectation for the online dissemination of the Yufeng Song Fair.The fourth part starts with the new changes in the song group,content,and dissemination in the specific field of the song fair,and tries to present the external performance of the " new " of the new song customs of the Yufeng Song Fair.First of all,in the song group,the singers and audiences of Yufeng Song Fair show the diversified characteristics of different ages and different identities;secondly,in terms of content and form,the integration of provincial tunes and the singing of “Cai Diao” show the inclusiveness of Yufeng Song Fair,and at the same time,it also affects the posture and psychology of the public.Finally,in terms of dissemination channels,multi-channel dissemination has expanded the influence of Yufeng Song Fair.The fifth part analyzes in detail the reality of the combination of new media technology and folk songs in the webcasting space with the help of the specific and specific performance field of the webcast and reflects on the impact of modern technology on traditional song customs.It is believed that technology changes the performance situation of folk songs,which brings the possibility of network singing and the enhancement of audience interaction and communication.What remains unchanged is the local characteristics of folk songs,the imprint of rural society,and people’s emotional appeal.The sixth part summarizes and discusses the motivation of the new song custom in the specific space in Yufeng Song Fair,and leads to the author’s thoughts on the significance and influence of the new song custom of Yufeng Song Fair on cultural space,practical groups,and practical individuals.
Keywords/Search Tags:folk songs, yufeng song fair, city song fair, performance theory, technology
PDF Full Text Request
Related items