On Wang Guowei’s Theory Of "Realm" And Its Transcendence To Traditional Chinese Aesthetics

Wang Guowei has a profound knowledge of Chinese and Western culture.Since his youth,he has not only received strict education in Chinese culture,but also aspired to Western philosophy on the way to study because of his exploration of life issues,and later fell in love with literature.As a result,he has repeatedly made innovations in the field of literary and artistic aesthetic research.One of them is that he has achieved unique aesthetic theoretical achievements-the "realm" theory.The theory of "realm" refers to the study of aesthetic theory in Chinese literature and art,starting from the aesthetic ontology of "realm".It includes the study of aesthetic activities throughout the entire process from literary and artistic creation to literary and artistic appreciation.The aesthetic theory of "realm" cannot be separated from the term "realm".Its aesthetic activity research mainly focuses on the aesthetics of literary and artistic works,so it also cannot be separated from the aesthetic object of literary and artistic works.Literary and artistic works are composed of content and form,and the study of aesthetic evaluation of literary and artistic works naturally unfolds into the study of content beauty and form beauty.From the application of the term "realm" to the language of traditional Chinese literary theory,it can be seen that the "realm" theory inherits traditional Chinese aesthetic thought.Moreover,due to the introduction of Western cultural perspectives into this concept,"realm" has more explanatory space.Therefore,the article attempts to draw a conclusion that the "realm" theory surpasses the core of traditional Chinese aesthetic thought from the two artistic dimensions of form and content based on the "realm" theory.The article is mainly divided into three parts: The first part is an introduction,which summarizes the background of the formation of the "realm" theory,the current research status of the ideological origin of the "realm" theory,and the research ideas and difficulties of the paper.The second part is the key part of the article,divided into three chapters,mainly exploring the transcendence of the "realm" theory over traditional Chinese aesthetics from three aspects: language,form,and content.The first chapter is about the transcendence of the "realm" theory over traditional Chinese aesthetics,mainly sorting out the words "image","artistic conception" with aesthetic ontology meaning in traditional Chinese aesthetics,and the aesthetic ontology word "realm" in the "realm" theory.From the evolution process of the words "image artistic conception realm",this chapter explores the sublimation of the "realm" theory on traditional Chinese aesthetics.The second chapter is about the transcendence of the "realm" theory over the form of traditional Chinese aesthetics.It mainly sorts out the formal aesthetics view in traditional Chinese aesthetics and the formal aesthetics view of the "realm" theory.It explores the purification of the form of traditional Chinese aesthetics by the "realm" theory from the second form of ancient and elegant beauty of the "realm" theory.The third chapter is about the transcendence of the "realm" theory over the content of traditional Chinese aesthetics.It mainly sorts out the beauty of the content connotation in traditional Chinese aesthetics and the beauty of the material connotation in the "realm" theory.From the philosophical perspective of the "realm" theory,it explores the strengthening of the content of traditional Chinese aesthetics by the "realm" theory.The third part is the concluding part of the article,mainly in Chapter 4 and Conclusion.The fourth chapter is about the significance and influence of the theory of "realm",mainly exploring the impact of the theory from two aspects: Chinese aesthetics and Chinese aesthetic education.The conclusion section provides a rough summary of the three key chapters of the entire text,hoping to demonstrate the unique value of the "realm" theory.