| The deficiency of the painting,the problem to send.The inscription in the form of text,calligraphy and the picture complement each other,so that the combination of literature,calligraphy and painting art not only has a high aesthetic value,but also contains a certain practical significance.It can be said that the art of the subject is a more comprehensive artistic thinking than the painting works,which condenses the painter’s literary accomplishment,calligraphy skills,aesthetic tendency and printing techniques and other related multi-level artistic level.Throughout the overall situation,the development of inscription art reached a relatively mature stage in the Ming and Qing dynasties,and the relationship between inscription and picture was closer.The combination of calligraphy and painting also enhanced the aesthetic significance and aesthetic value of the works to a certain extent.Based on the art of the inscription,this thesis focuses on the research and discussion of the relationship between the inscription and the picture in the Ming and Qing Dynasties.The overall idea of this thesis can be roughly divided into three parts:First of all,the development of inscription art in the Ming and Qing dynasties and the reasons for its prosperity are comprehensively analyzed.Through sorting out and studying the existing literature,the development of the inscription is sorted out,focusing on the Ming and Qing dynasties,and the characteristics and aesthetic tendencies of the inscription in this period are analyzed.And from the previous dynasties,the development of literati painting and secular change,the emergence of the theory of three aspects,analysis of the reasons for the prosperity of inscription art in the Ming and Qing dynasties.Secondly,from the three perspectives of the text content’s generation of the artistic conception of the picture,the participation of the picture layout and the aesthetic role in the picture,the relationship between the title and the picture is explained in detail and the expression of the creator’s artistic concept sublimated into ideology.From the Angle of plane composition extends to the space artistic conception factor,explores the deeper aesthetic value.Finally,the development of inscription art in Ming and Qing Dynasties is systematically and deeply summarized.Based on the present,from the point of view of The Times,the title with a common sense habits,explore their own value,witness the aesthetic changes of the public,write the evolution of painting,sublimate into a complete Chinese painting art characteristics.This thesis takes the inscription art of the Ming and Qing dynasties as the entry point,combines the picture relationship,and makes an in-depth study of the aesthetic value of the inscription art,in order to appeal to more scholars to focus on the inscription art,so as to improve the crisis it is facing now. |
