Historical And Cultural Exhibition Hall Design Of Inner Mongolia Museum From The Perspective Of Spatial Narrative

At present,people’s understanding of museums goes far beyond the level of collection appreciation,and they begin to turn their attention to the spiritual connotation and ideological inspiration deep in the material.More researchers begin to pay attention to the path of the connection between objects and ideas: the narrative behind the museum display space,the construction of museum spatial information and narrative mode also affects the audience’s interpretation of history and culture.This paper designs the historical and cultural exhibition hall of Inner Mongolia Museum through the spatial narrative theory,and combines the field situation of the exhibition hall to conduct a comprehensive study on the historical and cultural exhibition hall and spatial narrative design.First,through the literature review of the relevant theories of spatial narrative and museum spatial narrative design,the author selected the key points of relevant theories and discussed the correlation between spatial narrative theory and museum display space design.Second,through the field investigation of the exhibition space,the excellent cases of museum display design under the guidance of spatial narrative theory are compared and analyzed.Thirdly,it studies the narrative language,spatial narrative structure and spatial narrative atmosphere design of museum display design,and builds a "blending charm" exhibition space design strategy based on the actual design needs of exhibition halls,so as to improve the display validity of historical and cultural information of exhibition Spaces.Finally,based on this,according to the exhibition content and characteristics of "The Charm of Integration" exhibition hall of Inner Mongolia Museum,the narrative design scheme of the exhibition space is proposed.The results show that: First,the problem of spatial information narrative expression is based on the solution of information differentiation;Second,the problem of spatial narrative structure is solved based on the narrative of historical and cultural exhibition hall space structure;Thirdly,the problem of spatial narrative atmosphere starts with spatial elements.The three aspects are interlinked to improve the exhibition space environment,and at the same time,create a clear exhibition sequence,provide clear cultural clues for the audience,improve people’s interpretation and memory of cultural information,play a guiding and educational role,and provide new ideas for relevant exhibition space display design research.