| Chinese traditional culture is a national treasure bequeathed to us by our forefathers,and modern composers and musicians are actively engaged in modern composing of ancient poems.Composers use the language of music combined with modern expressions to read the thoughts of the ancients and focus on expressing their emotions.Through the collision and interplay of traditional culture and music,unique musical and cultural works are formed,and the perfect integration of the two makes the singer proud and the listener satisfied.Ancient poetry and art songs as a vocal genre that vocalists are bound to come across in the learning process.The author selects the representative work of Xin Qiji’s euphemism "Qing Yu Case-New Year’s Eve",which has literary,artistic and ideological qualities.In ancient Chinese,the name "Qing Yu Case" originated from Zhang Heng’s "Four Sorrowful Poems" in which "The beauty gave me brocade satin,but why should I repay the Qing Yu Case." The word "case" is pronounced wan,which is the same as "bowl",and translates as a tray made of jade to hold food.The art song of ancient poems requires the singer to have a good understanding of poetry and culture,and to use solid basic skills as a basis,paying attention to the mutual integration of singing skills and emotions.It reflects the beauty of the mood and elegance of ancient poems,and better interprets the style and characteristics of ancient poetry art songs.This paper takes Li Yan’s version of "Qing Yu Case-Yuan Xi" as the object of study,and gives an overview of its lyric text;a detailed analysis of the musical structure and piano accompaniment of the music body;a detailed discussion of how to grasp the style of singing ancient poetry songs,as well as the singing techniques from the use of breath,the right words,and the interplay of voice and emotion.It is hoped that it will serve as a reference for vocal education and learning enthusiasts,and lay a solid theoretical and practical foundation for future stage performance or teaching practice. |
