Yuan Jiang’s "Landscape And Pavilion Picture Screen"

Boundary painting is a unique category of Chinese painting.It mainly depicts pavilions and pavilions.It is named for the use of boundary ruler leads in painting.Through the continuous research and exploration of the painters of the dynasties,the artistic expression form of boundary painting was constantly improved.The Qing Dynasty painter Yuan Jiang’s boundary painting works combined fairyland pavilions with traditional landscape,and created new style,pushing the declining boundary painting to a new climax,so that the boundary painting could stand in the Qing Dynasty "literati painting" era.Yuan Jiang learned much about the landscapes of the Song Dynasty and copied a large number of Song Dynasty paintings.On the basis of absorbing the previous works,Yuan Jiang created his own unique style of painting.From the perspective of painting practice,the author analyzes the artistic characteristics of Yuan Jiang’s boundary paintings and the humanistic value contained in them according to the existing literature records and works,and explores Yuan Jiang’s artistic characteristics mainly from the architectural characteristics,works theme,business location and color techniques of Yuan Jiang’s "Landscape Pavilion Screen"."Landscape pavilion picture screen" not only pays attention to the description of the real scene,but also into the elements of imagination,the whole group of works uses a panoramic bird’s eye view of the composition,showing a variety of different architectural styles,and skillfully the color hook,hook and dye skills applied to the works,so that the works are more rich in artistic conception,showing Yuan Jiang’s unique aesthetic taste and noble artistic pursuit of the Jie painting works.Through the analysis of Yuan Jiang’s boundary painting works,the author created a series of works called "Pavilion in the State" on the basis of learning and understanding of traditional landscape painting techniques,combined with his own interests and integration of innovation,which absorbed the experience of artistic creation and triggered the author’s thinking on artistic practice,and provided valuable experience for the author’s artistic creation in the future.