Research On The Creation And Performance Of Chinese Red Piano Works

Throughout the long history,people’s understanding of red culture mostly stays at the level of revolution.With the arrival of the new century,the academic concept of red culture was established,and in the 100-year development process,it gradually formed two categories: material form and spiritual form.The material form of red culture includes visual pavilions such as revolutionary sites,museums and memorials,while the spiritual form of red culture includes the ideological superstructure such as red stories,red poems,red books and periodicals,and red music.Among them,red music,as an important part of red culture,has become an important artistic expression with patriotic spirit and revolutionary tradition due to its unique characteristics and cultural charm,presenting representative connotations of red culture in various historical stages.In the process of focusing on the development of red music,Chinese red-themed piano works occupy a place,which has become an important symbol of Chinese red music because it contains a very strong red cultural implication.The author,utilizing literature research techniques such as induction and summary,analysis,and more,organizes and collects the musical examples and audio from Chinese red theme piano works via Internet resources,musical score data,and other pertinent literature.Based on the previous research results,the author discusses its creation process,musical form and performance analysis as well as its development trend.The paper’s introduction,text,and conclusion are all included.The introduction primarily elucidates the rationale for the topic selection,research standing,research techniques,and the innovation points of the paper.The text includes three parts,the first part: "General situation of the development of Chinese red theme piano works",this part mainly expounds the concept of Chinese red culture,in order to explore what is "red" in Chinese red theme piano works;By sorting out the development history of Chinese red music,it captures the development track of Chinese red-themed piano works,and then sorts out and summarizes the development process of Chinese red-themed piano works from the generation to the continuation,so as to deeply explore the red cultural implications of Chinese red-themed piano music works in different historical periods.The second part: "Analysis of the musical form of Chinese red themed piano works",this part mainly analyzes the source of melody,musical structure and tonality of the representative Chinese red themed piano works,and further excavates the connotation of red in them.The third part: "Chinese red theme piano works performance analysis".The author,through my own experience,delves into the rhythm,beat,timbre,and intensity of the traditional Chinese red theme piano works,so as to be able to play them more effectively.The fourth part: "The Development trend of Chinese red-themed piano works".In this part,based on the previous research,the author summarizes the development trend of Chinese red-themed piano works.The last part of the conclusion is the summary and summary of the full text.It is our wish that,through the exploration of this topic and the composition of this paper,more academics will be attentive to it,thus encouraging the production and presentation of Chinese red-themed piano pieces,giving expression to the ideological education role of Chinese red-themed piano pieces in music instruction and teaching,and augmenting people’s patriotic emotions and national assurance..The Chinese nation’s excellent traditional culture is further promoted,and music works are encouraged to be created in order to bolster the legacy and growth of red culture,inspiring creators to be more passionate about their craft.Additionally,it is hoped that some valuable references will be provided for players to gain a deeper comprehension of and interpret piano pieces with red themes.