Analysis On The Performance Of Schuhmann's Piano Works "Papillons"

"Papillons" Piano divertimento nineteenth Century is a great romantic composer and pianist Robert Schumann in 1828 and 1831 for four years after the creation of.Author Schumann in the creation of the divertimento breaking the rational norms,the romantic literature and personal emotion,with subversive writing style into music works,the first time the new form of music that show in front of people.This article from the music creation and performance aspects to study Schumann's piano divertimento " Papillons "." Papillons " is inspired by Schumann Paul's "a chapter in the novel the larvae dance" depicted in the characters,plot and music.The " Papillons " and the novel "divertimento dance" between the larvae are inextricably linked,are inseparable.To study the piano divertimento " Papillons ",it is very necessary to read novels "larvae dance" of each section,the characters in the novel,plot,scene and Piano divertimento " Papillons " in the interaction of light,transparent to piano works to express the meaning of music.At the same time,in the performance,combined with the experience of playing their own,and understanding of musical works,literary works,to explore the divertimento " Papillons " played in some key points of attention.In terms of playing skills,we analyze and study the key points of playing through tone and intensity processing,melody control,eight degree playing methods and emotional adjustment.In this paper,the characteristics and performance analysis and technical difficulties of music discussion,discuss Schumann piano divertimento " Papillons " form and content of the presentation,to explore issues related to performance technology,for the majority of music performers in the future performance of this work,provide some reference.