Analysis Of Qingqing’s Character Shaping And Singing In The Opera "Mi Zhi Aunt Suidehan"

The Yang opera "Mi Fat Aunt Suidehan" is directed by artist Chen Xiyi and written by Bai Aying,vice chairman of Shaanxi Writers Association,which took three years to complete.Relying on the strong artistic and cultural background of northern Shaanxi,the plot describes the love story of the Mizhi woman Qingqing and the baby born after Suide,showing the kindness,loyalty and frank human brilliance of the people of northern Shaanxi,and purifying the unique cultural color of the region to the universal level of human beings,which is of landmark significance to the development of traditional Yang opera.This thesis is an analysis of the character shaping and singing of the heroine "Qingqing".In terms of character shaping,based on the beautiful qualities of "Qingqing" at different stages of development in the play,the character image analysis is carried out,supplemented by the Northern Shaanxi dialect and Northern Shaanxi Yangge,and the shaping of this character is interpreted from multiple angles.In terms of singing,taking the multi-dimensional perspective of the vocal performance art of Yang Opera as the starting point,using the theoretical knowledge of vocal performance,combined with the research methods of related aesthetics,art science,ethnomusicology and other disciplines,the musical characteristics and singing characteristics of the heroine "Qingqing" in the Yang opera "Mi Fat Aunt Suidehan" are comprehensively and systematically analyzed.Innovatively combining regional dialects,opera,Yangge dance and other elements,it conducts a global and systematic study on its character shaping and singing,so that vocal music lovers can fully understand the aesthetic and humanistic values of the song from different angles and levels.All in all,this thesis will continue to explore and practice on the basis of the research of vocal predecessors,in order to provide vocal music lovers with some experience reference and singing inspiration in "singing" and "acting".At the same time,through the analysis of its character image and its singing treatment,its unique performance method is comprehensively analyzed,and the rich cultural connotation of Yang Opera is explored,so that this unique artistic expression can be better inherited and developed.