The Concept Of "Plate Printing" Of Traditional Printmaking Is Displayed In Contemporary Installation Works

The development of traditional printmaking in the current context has tended to decline,and the formal language of traditional printmaking is no longer able to carry the spiritual concepts of contemporary times.Faced with this problem,some artists who were originally engaged in printmaking began to try to combine the traditional printmaking concept of "printmaking" with the science and technology,aesthetic paradigm and material medium of contemporary installation art,and to bring the formal experience,value orientation,spiritual concept,expression content and presentation of printmaking to the contemporary installation works with contemporary characteristics.contemporary installation works.The combination of the printmaking way of thinking with the comprehensive properties of the installation is a new attempt and trend in the field of contemporary printmaking,and the author attempts to analyse the curious effects of the combination of the "printmaking" concept and the installation form.The paper will be divided into three parts: firstly,a general summary of the concept of printmaking,the connotation and characteristics of printmaking in installation art;secondly,the multifaceted construction of the concept of "printmaking" in contemporary installation,such as"materialized emotion","three-dimensional The second is the multifaceted construction of the concept of "printmaking" in contemporary installations,such as "materialized emotion","three-dimensional space"and "active appreciation",etc.Third,based on the creation practice of"Guanfu" installation,we will summarize the insights and revelations after combining the concept of "printmaking" with the installation.