The Study Of Liang Zhangju’s Calligraphy Idea

As an outstanding calligrapher in the Qianjia periodof Qing Dynasty,Liang Zhangju was different from the literati and officials who paid more attention to poetry and literature than to calligraphy.Liang Zhangju takes calligraphy as knowledge.In calligraphy practice,he takes the ancient as his teacher and dabbles in historical sites.He is known as the "master of Couplet".In the theory of bibliography,the Inscriptions of Painting Works Collected by Tui ’an,which is devoted to the appraisal and collection of stone and calligraphy,and the book of Ji ane,which reviews and interprets the calligrapher of Qing Dynasty,have exerted a far-reaching influence on the sustainable development of today’s Calligraphy circles.This article focuses on Liang Zhangju’s Calligraphy thought,which is mainly divided into the following four parts:The first part focuses on understanding Liang Zhangju with multiple cultural identities.To learn the relationship between the formation of his calligraphic thought and the background of the middle Qing Dynasty.the enlightenment of family learning,the intercourse of touchstone,calligraphy and painting.In the second part,the author discusses Liang Zhangju’s views on calligraphy,expounds the stylistic features of his seal script,official script and regular script from a multi-dimensional perspective,and sums up Liang Zhangju’s views on calligraphy,this was a Seek truth from facts attitude of Liang Zhangju in the academic circles of the Qing dynasty.The third part focuses on the research of Liang Zhangju’s inscription and collection,and understands the important elements of his view.Explore the purpose,methods and characteristics of its collection,it can be seen that Liang Zhangju spread calligraphy culture,pragmatic,textual research Qidetailed collection view.The fourth part summarizes and analyzes Liang Zhangju’s view of evaluation,and elaborates on his three aspects of " judging the books by character,evaluating and interpreting contemporary calligraphers and calligraphers’ standards of both writing and ink".