| Tomioka Tessai is known as the last literati painter in Japan,whose artistic status matches that of Master Qi Baishi in China,and the number of his works is huge.Tieshai has a strong interest in traditional Chinese culture,keen on the study of traditional Chinese painting,and has a strong curiosity,interested in different schools of art,so with this broad knowledge,a wide range of nutrition,and finally formed his own painting style.This paper studies the artistic language of Tomioka Tessai’s Oriental God landscape painting,which is divided into four chapters.At present,I study the artistic language of Tomioka Tessai’s Oriental God landscape painting,focusing on the practice of exploring the expression of the painting in the use of pen,ink,composition and color.The first chapter,from a macro perspective,defines the meaning of Tessai’s Oriental God landscape paintings,and introduces his life and social environment.The second chapter is the focus of this paper.It analyzes the expression form of Tomioka Tessai’s Oriental God landscape paintings,and discusses Tessai’s choice in the expression of paintings from the perspectives of brush and ink techniques,chapter layout and color.The third chapter discusses the artistic aesthetic value and cultural value of Tiesai Oriental God landscape painting.The fourth chapter,based on the author’s practice,discusses the author’s phased focus on learning Tiezhai painting and attempts to learn the painting language of Tiezhai.It expects to provide some help for the author to explore the modernization of traditional Chinese painting by studying the art language of Tiezhai and exploring its innovation to traditional Chinese painting. |
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