This paper takes the traditional Chinese ink language as an entry point and explores the artistic forms of Chinese ink language and mixed media painting in the context of the fusion of tradition and contemporary art thinking,and examines the impact of this art thinking on the author’s creation.In the context of contemporary mixed media painting,the paper cites specific examples of the use of ink language,analyzes the characteristics of ink language,contributes to the transformation and expansion of traditional Chinese ink,integrates the "Eastern context" in the creation of mixed media painting,and seeks the national spirit and innovation of artistic thinking in mixed media painting from traditional Chinese culture.The paper firstly compares the conceptual definition,historical origin and characteristics of contemporary mixed media painting and ink language,and then discusses the formal logic of ink language in contemporary mixed media painting from three aspects: intervention,deconstruction and symbolism.Through a list of artists’ representatives,the expression of ink language in mixed media painting is clarified.And then the aesthetic value of ink language in mixed-material painting is elaborated in terms of periodicity and national traditional aesthetics.Finally,the fusion of ink language and mixed media painting inspires the author’s own artistic thinking,as well as his personal discussion of the practical creation of the subject,and provides an outlook on the future development of mixed media painting and ink culture,providing reference value for later researchers. |