On The Integration Of Chinese Watercolor Painting Creation And Zong Baihua’s Artistic Conception Theory

This paper aims to explore the integration of Chinese watercolor painting creation and Zong Baihua’s theory of artistic conception,which opens up a new direction for the development of Chinese watercolor painting,introduces the development overview and creation conception of Chinese watercolor painting,and makes an in-depth discussion from the aspects of watercolor painting time,nationality,blank form of composition,color artistic conception presentation and subjective realm of brushwork.Then,with Zong Baihua’s conception theory as the analysis frame,the paper discusses the artistic conception construction of Chinese watercolor painting.Among them,it introduces the connotation of Zong Baihua’s artistic conception aesthetics thought and the three levels of artistic conception theory,as well as the formal language and expression language of watercolor painting.Finally,from the perspective of practice,it reflects on the future of artistic conception aesthetics and watercolor fusion,as well as the problems existing in the fusion of artistic conception and watercolor.At the same time,this chapter also combined with their own experience,share some watercolor painting creation and experience.Through the research and summary of this paper,we can better understand the relationship between Chinese watercolor painting and Zong Baihua’s artistic conception,and provide some practical references for the creation of watercolor painting.The whole article is based on the essence of watercolor creation,combined with the thought of artistic conception and the comprehensive analysis of watercolor artists,as well as Zong Baihua’s dialectical study of artistic conception and other methods,to discuss the integration of the key artistic conception and watercolor creation in this paper,highlighting the importance of the aesthetic value of artistic conception and the positive role of the future development of Chinese watercolor.