Research On Ouyang Qiansen's Reportage On Poverty Alleviatio

Ouyang Qiansen’s poverty alleviation reportage embodies the high integration and unity of authenticity and literariness,the unique narrative technique and artistic expression prove the possibility of simultaneous realization of both theme creation and literary aesthetics.The writer sets up the epic quality of his works with great themes and high ideas.At the same time,Ouyang Qiansen’s writing on the countryside in the new era represents a new way of viewing guizhou’s countryside.The paper is divided into three chapters:The first chapter discusses the multidimensional writing of Ouyang Qiansen’s reportage.The author describes the process of poverty alleviation in Guizhou from the aspects of local poverty alleviation,ecological restoration,relocation and urban transformation.In the presentation of the suffering memory and the depiction of the fish and water situation of the party and people,it shows the difficult exploration of the development of Guizhou.Several of the works are independent and interconnected,and the multi-song ensemble sings the song of the era of poverty alleviation in Guizhou.The publication of Ouyang Qiansen’s reportage collection《This Land So Rich In Beauty》is a tribute to the successful end of the poverty alleviation campaign in Guizhou.In his faithful writing,his works realize the artistic creation of epic pursuit.The second chapter mainly discusses the artistic personality of Ouyang Qiansen’s reportage.Ouyang Qiansen insisted on the principle of truthfulness of reportage and highlighted the political and economic theme of reportage in his selective narrative strategy.In terms of artistic expression,Ouyang Qiansen’s reportage is characterized by a kind of autobiographical novel.The writer,as an interviewer and narrator,intervenes in the story of poverty alleviation in Guizhou.In terms of narrative skills,it integrates the stylistic advantages of novels,poems and prose,and embodies the cross-stylistic writing of reportage.The third chapter mainly discusses the significance and deficiency of Ouyang Qiansen’s reportage creation.Ouyang Qiansen’s creation of poverty alleviation opens a new way to express the theme of the theme.Meanwhile,the unique cultural narration of the work is of great significance for shaping the image of Guizhou and constructing the national memory.However,there are also some shortcomings in characterization and contradiction writing,and to avoid these problems will be a greater breakthrough in reportage.