| Late qing dynasty,liu xi-zai’s art is as of ancient Chinese literary theories to summarize period,contains rich ideas of stylistics,viewpoint and method,at the same time,because of the particularity of time,is to let his literary thought has a modern consciousness,before in the cohesion of the ancient and modern,traditional Confucian scholars of ideological struggle,and then projected on the text of breakthrough,This is of great significance to the study of ancient style.First of all,Liu Xizai’s cognition of the multi-level connotation of literary style(genre,style,style)is the definition of connotation shining with the light of modern stylistics.Secondly,the new attempts in stylistic classification,including the correction of the concept of "superior and inferior" in stylistic style,the reelaboration of classification standards,and the progress and conservatism of scholars’ thoughts reflected in the late Qing Dynasty,can effectively see the development and predicament of ancient stylistics represented by Yi Concept.Thirdly,the description of stylistic characteristics mainly focuses on the independence and relevance of stylistic style,self-discipline and heteronomy,and probes into the development and norms of stylistic style itself,and analyzes its relationship with external social and historical dynamic changes.Finally,it focuses on the first presentation of practical writing as an independent style and the writing view of practical writing,and looks at the insights of Yi Concept in terms of style in combination with specific style forms.In a word,Liu Xizai made some bold attempts and interpretations of literary style within the scope of Chinese traditional literary theory,and the dialectical thinking modes and viewpoints contained in them made us see the new progress of Chinese ancient literary style theory in the process of the transition between ancient and modern times. |