Research On Heroine Dramas Of Women In Late Ming And Early Qing Dynasties

The study of the heroic dramas of women that appeared in large numbers during the late Ming and early Qing Dynasties.This paper will take care of the heroines of the late Ming and early Qing Dynasties under the special social and cultural background of the late Ming and early Qing Dynasties,and systematically analyze the heroic dramas of the women of the late Ming and early Qing Dynasties from three aspects: the classic plot,the characters and the mentality of the composers.The special cultural implication and social value in this period.The thesis is mainly composed of four parts: introduction,text,conclusion and appendix.The text is divided into four chapters as follows:The introduction.First,explain the origin and significance of the topic selection;secondly,define the core concepts of the Ming and Qing Dynasties,the heroine of women,and the heroic drama of women in the Ming and Qing Dynasties;finally,briefly outline the research status of heroic drama of women in the Ming and Qing Dynasties,and introduce research ideas,research methods,and innovations.The first chapter is the overview of the heroic drama of women in the Ming and Qing Dynasties.This chapter firstly analyzes the literary and historical origin of the heroic drama of women during the Ming and Qing Dynasties from two aspects: historical basis and literary tradition.The historical basis of the heroic drama of women lays a psychological foundation and provides material sources for the creation of heroic dramas of women.The literary tradition of heroine dramas provides rich motifs and shaping methods for the creation of heroine dramas,and promotes the exchange and evolution of such dramas between different styles.Secondly,it analyzes the background of the times when the heroic drama flourished in Ming and Qing Dynasties from the two aspects of social factors and opera style.It is concluded that the prosperity of the heroine drama during the Ming and Qing Dynasties was not only affected by political,social,cultural and other factors,but also by the development of the special style of opera and its social function.Finally,starting from the literature,comprehensively counts and sorts out the heroic dramas of women during the Ming and Qing Dynasties,and analyzes their textual forms.The second chapter is the classic plot of the heroine drama between late Ming and early Qing Dynasties.On the basis of literature research,this chapter systematically organizes and summarizes the classic plots of heroic dramas of women during the late Ming and early Qing Dynasties,explores the content repeatedly written by playwrights,and sorts out complete plot clues according to the basic creation mode of such plays.The classic plots of heroine dramas between the late Ming and early Qing Dynasties mainly include three types: "follow the rules and run away for some reason","enter the society and build a career" and "receive when you succeed,everyone is happy".These three classic plots constitute the structural model of the heroic drama "run away-make merit-retreat" during the late Ming and early Qing Dynasties.The construction of this model helps to better enrich the stories of the heroines,shape the images of the heroines,and express the main idea of the playwrights’ creation.The third chapter,the characters of heroic dramas in late Ming and early Qing Dynasties.Based on the careful reading of the text,this chapter makes a detailed analysis and summary of the characters in the heroic dramas of the late Ming and early Qing Dynasties.The heroine of the heroine drama during the late Ming and early Qing Dynasties is the heroine.Through text analysis,it can be seen that the heroine characters in the heroine dramas of the late Ming and early Qing Dynasties generally have the pursuit of life beyond themselves,the gender attitude of fighting for women,and the principle of loyalty and serving the country.By analyzing the stable character traits of the heroine characters in the play,it is helpful to more comprehensively grasp the overall style of the heroine heroine drama during the late Ming and early Qing Dynasties.The fourth chapter,the mentality of the quists in the heroic dramas of the late Ming and early Qing Dynasties.In this chapter,on the basis of knowing people and discussing the world,it deeply excavates and probes into the mentality of the composers of heroic dramas in the late Ming and early Qing Dynasties.Through the analysis of the character traits of the heroines in the previous chapter,combined with the complex background of the late Ming and early Qing Dynasties,and the social function of the style of opera,we can better explore the diverse creative mentality of the playwrights at that time.During the late Ming and early Qing Dynasties,there were three mentalities of the quists in heroine dramas.One was "lyric",that is,to achieve spiritual comfort and emotional sustenance through gender writing and self-substitute;the other was "reasonable",that is,to use the idea of economic transformation to regulate women behavior,maintaining the ruling order;the third is "cultivating morality",that is,advocating the concept of home and country isomorphism,to express the moral expectations of the world.The appendix sorts out the existing and lost heroic dramas of women during the late Ming and early Qing Dynasties.