The Application Of Light-colored Landscape Painting In Ceramic Painting

As a country of ceramics,China has a long history of ceramic art,and the development of ceramic painting has been accompanied by the advancement of ceramic technology,resulting in a variety of ceramic painting styles.Among them,the light-red porcelain at the end of the Qing Dynasty occupied an important position.The light-red porcelain changed from the previous complicated decorative techniques of ceramic painting to the pursuit of the rhythm of brush and ink,ethereal and elegant,simple and clear sense of Yuan Dynasty landscape painting,and the style of the picture expressed the personal feelings of the literati and elegant people.The lightly reddish-red porcelain subjects include landscapes,birds and flowers,and figures,of which lightly reddish-red landscape painting has the highest artistic achievement.Lightly reddish-red landscape painting was deeply influenced by Yuan Dynasty lightly reddish-red landscapes in terms of subject matter,technique and composition,and the lightly reddish-red landscapes of the Yuan Dynasty were fully integrated into the creation of landscape lightly reddish-red porcelain works with lightly reddish-red ink,elegant and light colors,and subjects of literati interest.This paper first explains the historical background of the emergence of light violet-red color and the reasons for its rise.Then,it analyzes the artistic style of light-red color landscape painters,the artistic characteristics of light-red color,the literati spirit conveyed by their works,and their influence on later generations.Again,we study the painting techniques of previous light-red color landscape paintings,combine them with some contemporary techniques and subjects of light-red color landscape painting,and distinguish the difference between the light-red color landscape paintings created by the author and traditional light-red color landscape paintings.Finally,after analyzing and summarizing the author’s graduation creation,the author illustrates and analyzes the outlook on the development of contemporary light violet landscape painting.