Research On Artistic Aesthetics Of Qi Biaojia

Qi Biaojia,a scholar in the late Ming Dynasty,has his own unique opinions and ideas in the creation,appreciation,criticism,acceptance and dissemination of different kinds of art,such as opera art,garden art and poetry art,and has formed a relatively complete ideological system of artistic aesthetics.Qi Biaojia’s artistic aesthetics thought is an indispensable link in the development of Chinese art theory and plays an important role in connecting the preceding and the following.By analyzing Qi Biaojia’s artistic creation and theoretical works,this paper focuses on the overall outline and characteristics of Qi Biaojia’s artistic aesthetics thought from the dimensions of artistic creation,artistic criticism and artistic acceptance,and further explores its value and significance to the construction of Chinese contemporary art aesthetics system and the discipline construction of art theory.The first chapter discusses the ideological origin of Qi Biaojia’s artistic aesthetics.The unique social environment in the late Ming Dynasty and the rich cultural heritage of the Qi family in central Vietnam had a great impact on the formation of Qi Biaojia’s artistic aesthetics.In addition,the ideological trend of competing for the best in the late Ming Dynasty made Qi Biaojia’s various views in the ideological field quite complex,which further made his artistic aesthetics show the traces of the infiltration and influence of Confucianism,Buddhism and Taoism.The second chapter combs Qi Biaojia’s view of artistic creation.Qi Biaojia believes that art can reflect the reality,advocates the creation of current affairs dramas,and pays attention to the "world guarding" function of artistic works;Through the experience of daily life,he created poems and essays,recorded the communication with friends and the tour of landscape gardens;At the same time,Qi Biaojia also attaches great importance to the emotional expression function of "open my mind" of art works.In terms of the structural arrangement of artistic creation,Qi Biaojia advocates that artistic creators should master the "cutting method" that highlights the main line of the work.The third chapter summarizes Qi Biaojia’s view of art criticism,mainly from the main points of the standards,methods and functions of art criticism.He believes that the standard of criticizing works of art should first pay attention to the structure,"the Legislative Council is the top",secondly advocate the language style of "returning to nature with parallel beauty",and thirdly emphasize "the situation is like a turn".The methods of art criticism include qualitative classification,comparative method and "Pianshan" method.The main function of Qi Biaojia’s practice of art criticism is to guide the order of the music world and artistic creation,to clarify his personal feelings,and to educate the people in morality.The fourth chapter analyzes Qi Biaojia’s view of artistic acceptance.Art enriches the daily life of the audience and realizes the moral education of the audience in the process of artistic aesthetics.In addition,the audience has a reaction to artistic creation.First,the state of audience appreciation of art affects the character setting and plot development during artistic creation.The works of "steady maturity and light detachment" are more conducive to moving to the stage;Secondly,the aesthetic expectation of the audience affects the style of the works of art.The works of art with implicit and tactful and "endless beauty" can better meet the aesthetic expectation of the audience.The fifth chapter expounds the position and function of Qi Biaojia’s artistic aesthetics thought in the history of Chinese artistic aesthetics,and its enlightenment significance to the construction of contemporary artistic aesthetics system and the construction of artistic theory discipline.