Theory Of "Huang Xu Body" Of The Northern Song Dynasty Flower-and-bird Painting Style

Since the five dynasties,"Huang Jia Fugui" and "Xu Xi Ye Yi" have embodied two different painting styles: richness and elegance.In the early Song Dynasty,"luteal body" was in full bloom to meet the aesthetic needs of the court,so that the flower and bird painters inside and outside the walls of the courtyard took effect one after another in order to gain recognition,paying attention to the study of objects and the expression of color.After the middle of the Northern Song Dynasty,with the rise of social,political and cultural trends,Xu Xi’s school of painting played a huge role in changing the traditional school style,and gradually merged with the trend of literati painting,showing the light color of ink painting with elegant and elegant spirit.Expression in the northern song dynasty flower-and-bird paintings technique and lyrical freehand brushwork come in different aspects,this is not a "Huang Jiafu expensive" and "seo hui wild escape" any school of painting style results of individual development,but under two different aesthetic tendencies,painters use subjective initiative is a blend of two different creative ideas and conform to the mind to form the self sentiment expression of painting language.Through literature review,mutual analysis and other methods,this paper analyzes the evolution and development of flower and bird painting style in the Northern Song Dynasty under the influence of the two different painting styles of "Huang Jia Fugui" and "Xu Xi Ye Yi" as the basic starting point,and explores the performance of the interaction of the two aesthetic trends from the artist’s artistic thought and painting style.This paper mainly discusses from the following aspects:Based on the analysis of historical materials such as the aesthetic fashion in different regions and the identity differences between the two,this paper explores the causes of the phenomenon from the aspects of external and internal factors.Combined with schemata and relevant historical materials,the painting style of "Huang Xu Qi Yi" is analyzed in detail.Based on schema analysis and painting theory,this paper illustrates the evolution of "Huang Jia Fugui" and "Xu Xi Ye Yi" in the flower and bird painting style of the Northern Song Dynasty and their specific performance skills.Through the images and related historical materials,this paper summarizes the concepts and language of painting under the interaction of two aesthetic trends of "Huang Jia Fugui" and "Xu Xi Ye Yi",and briefly describes its positive influence on flower and bird painting in later generations.