In 2015,the Belarusian writer Svetlana Alexandravna Alexievich won the Nobel Prize for Literature.After that,her five "Utopian" works based on the historical disasters of war,nuclear leakage and national disintegration attracted wide attention.Readers have always interpreted her trauma theme,polyphonic structure and non fictional writing extensively,but rarely explored the theme of "Hometown" in her works,or only used it as background information to interpret different themes.However,through the writer’s self-report--"I have three homes: Ukraine,Belarus and Russia",and other relevant interviews,we can feel the importance she attaches to her "Hometown".This paper takes four of the author’s four classic works--"У войны неженскоелицо","Цинковые мальчики","Чернобыльская молитва : хро-никабудущего" and "Время секонд-хэнд" as the research literature,carries out analysis from a synchronic and diachronic perspective,and explores Alexeyevich’s hometown affection based on reflection.In addition to the introduction,the paper is mainly composed of four chapters.From the perspective of synchronicity,the first three chapters mainly analyze the three phenomena of the survival dilemma of the soldiers in their hometown after the war,the escape and persistence of the "Chernobyl people" and the native identity crisis of the "Red people",as well as the writer’s reflection consciousness at the specific level generated by different phenomena.The last chapter,from a diachronic perspective,combs Alexeyevich’s phenomenon of "gradual alienation between man and his hometown" in his four classic works,and summarizes the writer’s hometown affection based on reflection and the ideological value and practical significance behind it. |