On The Polyphony Writing Of SA Alekseyevich's Novels

In 2015,Svetlana Alexandrov Alekseyevich won the Nobel Prize for "reproduction of polyphony,a memorial to the suffering and courage of our time." She is an explorer in both literature and the press.In nearly 40 years of interviews and creations career,she has outlined the history of the Soviet Union and the living conditions of the people through five fictions.Although she has repeatedly referred to her series of works as "the voice of Utopia" in her speeches and notes,The academic circle rarely studies her novels as a whole,leading to the lack of the research about polyphony of Alexeievich's literary creation.This article takes"Utopia Voice" series as the research object,takes the polyphony theory as the starting point,analyzes the creation of "Utopia Voice",and goes deep into inheritance and innovation of Alexeievich's theory which root in Bakhtin s theory.Alekseyevich reconstructed the creation of the novel as a journalist,expanded the domain of polyphonic novel theory,and finally constructed the individual history of the Soviets in the literary expression of carnivalization,pointing humanistic care to the small people under the background..This article consists of six parts:the introduction,the first chapter,the second chapter,the third chapter,the fourth chapter and the conclusion.The main body of the thesis consists of four chapters.The first chapter uses two sets of relationships as clues to explain the background of Alekseyevich's creation.As a journalist who is always on the road,she has formed a polyphony while listening to countless stories.The first section discusses the ideological basis and creative ideals of Alekseyevich's creation.The second section interprets the characteristics of Alekseyevich's dual identity and explains the influence of this writing identity on her creation.The second chapter begins with the summary of five books,shows how Alekseyevich can explain the five books in the context of realistic discourse through the historical interpretation in three perspectives.It is a polyphonic discourse system that is different from traditional Soviet literature.The first section is about how War's Unwomanly Face,explains Alekseyevich's conscious feminist writing,The second section treats the war problem in The Last Witnesses:the Book of Vnchildlike Stories and Zinc-Covered Boys from a religious point of viewThe proposition of war is placed in the consideration of religious discourse,showing Alekseyevich's way of thinking through religious thinking,and her calling for peace and love.The third section is mainly about Voices from Chernobyl and Second-hand Time,Alekseyevich has deconstructed history and reconstructed history under a unique concept.about time and space,and examine the whole work from the perspective of modernism.The third paragraph begins with the theory of polyphony,explains the creation of Alekseyevich through Bakhtin's theory,and shows her inheritance and innovation of Bakhtin's theory.The first section examines her Voices from Chernobyl with Multilingual and miscellaneous language theory.And discuss the structure and innovation of her novel with the language foundation.The second section discusses the character of Alekseyevich's polyphonic novels through Bakhtin's theory of behavioral philosophy,and expresses her artistic creation of real characters.In the theory of inheriting dialogue,she breaks through the theoretical framework and creative the complexity characters.The fourth chapter begins with Bakhtin's carnival theory.The first section discusses how Alexeievich copied the carnival in his works and brought the interviews with the Soviets to the carnival.The words of the Soviet Union showed a carnival expression.The second section compares the laughter in the carnival theory with the crying deformity in Alexeievich's novels,and discusses how she shows the world of carnival in her works through this reverse behavior,combined with polyphonic Characters,bring the novel carnival aesthetic in the general sense.The conclusion is a summary of the whole text.Combining documentary theme and literary creation is the eternal proposition of Alexeijevic's novel.Through the inheritance and innovation of polyphony theory,she combines the interview content with Bakhtin's theory and creates a new one.The novel genre has formed a new polyphonic writing peak brother,predicting the future of the Russian nation while recording the fate of the Soviet people.