A Study Of Gilles Deleuze’s “Lines Of Flight” Theory

Literature always occupies an important position in Deleuze’s philosophical discussion.He emphasized the interaction between literature and philosophy,and sought inspiration from literature in order to solve the philosophical dilemma.A nd the value of literature is to liberate life and endow it with new possibilities.Taking Deleuze’s " lines of flight " theory as the research object,this paper aims to clarify the connotation of " lines of flight " thought and feel the charm of Deleuze’s deconstructive literary view.It is divided into three chapters:The first chapter focuses on the formation of Deleuze’s " lines of flight " theory.Firstly,the theoretical basis is introduced: the theory of " lines of flight " emphasizes the productivity of desire,which is rooted in Deleuze’s schizophrenia analysis and is an important theoretical tool of his anti-psychoanalysis.Secondly,he traces the theoretical origin:Deleuze opposes Logocentrism and is committed to deconstructing the western traditional metaphysical thinking mode.In the process of rereading the history of philosophy,he places Spinoza,Bergson and Nietzsche in an important position,believing that they have injected fresh blood into the development of the history of philosophy.The rebellion,pluralism and openness of the theory of " lines of flight " fully embodies its characteristics as Deleuze’s philosophical concept.This paper sorts out the theories of the above three people and finds that Spinoza’s "body" and "emotion",Bergson’s "difference" and "stretch" and Nietzsche’s "will to power" all play an important role in the formation and development of Deleuze’s " lines of flight " theory.The second chapter combs the connotation of " lines of flight " theory.First define " lines of flight" this concept,together with the line "flight",Deleuze also proposed the "formula of hard line" and "g formula of flexible line" of these two concepts,"flight" character in "molecules" and "the mole" in contrast to become clearly perceptible,three concepts to interpretation and interpretation of each other,together constitute the " lines of flight " theoretical system.Secondly introduces the trajectories of line "flight" : Deleuze’s thought of "flight" with "the machine" "generate" "tubers" "fold" concepts such as "scope" have close relations,this article tries to trajectory for the shaft,through starting point,clues,direction three series,the concept of the movement process of the above is multifarious,in order to more clearly capture "flight".The third chapter discusses the influence of " lines of flight" theory on Deleuze’s literary view from four aspects: literary essence view,literary acceptance view,literary criticism method and enlightening significance to literary research."Lines of flight" represents the movement track of spiritual liberation of individual life.Deleuze,as a thorough vitalist,pursues the infinite possibility of life,so he puts forward the view of literary essence that "writing is to draw the ’ lines of flight’".He indulged in Kafka,Proust and a series of British and American literary works,and constantly endowed texts with " lines of flight" interpretation.In his opinion,literary acceptance is the process of readers looking for escape line in texts.Deleuze rejected structuralism,and his literary thought was influenced by his philosophy,showing full deconstruction color.Under the influence of the idea of "lines of flight",he once again took the works of Kafka and Proust as examples to deconstruct the linguistic signs and meanings of literary works through the multiple interactive characteristics of literary machines.Meanwhile,the theory of lines of flight is based on smooth space and has the ideological connotation of space philosophy.It advocates the intertextuality of literature and the interconnection of literature and social configuration,constantly breaks the boundary,creates and generates,not only provides a new perspective to understand and read literary classics,but also opens up the space of literary research,shifts the perspective of literary research to the intertextuality of the digital era,and makes the literary space more tension and creativity.