| Qiu Huadong,Wang Gang,Aikbel·Migidi and other writers are all outstanding in the group of "Xinjiang writers".They happen to agree with each other and take Xinjiang’s growth experience as the original source of literary creation,and constantly explore the substantial content contained in Xinjiang regional culture and the literary space that can be presented by looking back.After changes in the place of study and work,they still continue the literary practice of reproducing regional experience,which is of universal significance to the value regression and spiritual exploration of Xinjiang’s regional sense of belonging,as well as the emotional expression across regions.In addition,their literary works put the heroes and minor figures bred in the vast land of Xinjiang in a modern context,creating a unique literary world in the imagination of Xinjiang under the historical dimension,and which devoted to exploring eternal philosophical topics such as human nature,life and death.It is worth noting that some of their works on Xinjiang experience which not only highlight their different growth experiences and artistic cultivation and self-improvement in the communication and interaction with the contemporary literary world,which but also more stereotically present their exploration and profound reflection on the memory of youth,topics of The Times and the suffering of survival.For writers who have lived in Xinjiang,"Xinjiang" is not only a concept of space or region,but also a kind of emotional reflection and expression of thoughts.Their works not only describe the intuitive feelings brought by Xinjiang’s local conditions and customs,but also find the ecological significance of harmonious coexistence between man and nature,as well as the integration and sublimation of natural landscape and philosophical life attitude in the collision of multi-ethnic cultures.Qiu Huadong,Wang Gang,Aikbel·Migidi about Xinjiang experience fiction from full of Xinjiang culture and customs of the earth for survival experience of comfort the hearts of the characters in the confused,searching for cultural sense of belonging,pay attention to the flow of amorous feelings,ecological awareness,growth experience of the common theme of rendering.In addition,influenced by mainstream literature such as avant-garde literature,scar literature and introspection literature,they realized the exchange and artistic integration of Xinjiang experience and mainstream literary trend of thought,focusing on the writing of suffering and the description of the state of life damage,as well as the imagination of the frontier and the place under the historical dimension.To some extent,they can not only based on the experience and cultural resources of Xinjiang,but also transcend the innate limitations of regional culture and literature itself to show the complicated and unique life forms from multiple dimensions as much as possible.To sum up,Qiu Huadong recalled his hometown Changji,Wang Gang looked back at Urumqi and Kashgar,and Aikbel·Migidi wrote about his hometown Ili,the double cultural vision and local experience in their works are beneficial to the communication of Xinjiang geography and culture as well as the communication between contemporary literature and Xinjiang literature.On the whole,Xinjiang literature is an indispensable part of Chinese literature as a whole.The promotion of thinking art between regional experience and literature can be described as a manifestation of the broad vision and rich creative resources of contemporary Chinese literature. |
