A Comparative Study Of "Embroider He Bao" In Sichuan And "Embroider He Bao" In Northern Shaanxi

In the construction of contemporary Chinese national vocal music culture,traditional folk songs not only provide inexhaustible material for vocal music creation,but also provide content and technical support for vocal music teaching and singing.This paper takes "Embroider Hebao Tune",which has the meaning of folk song of the same clan,as the research object,and takes the folk song versions popular in Sichuan and Shaanxi as an example to make a comparative study.The article has four parts.The first part discusses the cultural background of "embroider hebao" and the change of "embroider Hebao style" folk song.It thinks that the cultural background of "embroider Hebao" is embodied in two aspects: the multiple functions of folk image and the symbol representation of love token.From the perspective of the evolution of the folk song embroidered Purse,it has the characteristics of pluralism of the same clan and the evolution of the role.The second part makes a comparative study of the artistic characteristics of the two versions of "Embroider purse" in Sichuan and Shaanxi,focusing on the discussion from the two aspects of lyrics text and music text,and then makes a comparative analysis from the humanistic background,lyrics language and music style.The third part analyzes the singing skills and musical performance of songs from the perspective of practice.On the discussion of singing skills,it introduces the three angles of breath,articulation and articulation,and run-cavity.On the performance of singing,it discusses the shaping of music image,the expression of music emotion and the design of stage language.The fourth part is the comparative study of the singing version,which compares the two singing versions of The Sichuan version of embroider purse by Li Danyang and Wu Bixia.On the discussion of shaanxi edition embroidered Purse,the author compares the original version with bai Bingquan’s adaptation.