A Study On The Presentation Of Happiness In The Films In The Period Of 17 Years

The "seventeen-year" film,which is a mirror image of the history of New China’s development,has always been closely connected with the social values of New China in the long river of light and shadow reviews in China.For this reason,by combing through the happy moments of the people in the "Seventeen Years" movie,we can not only unfold a picture of the customs of the people’s life in New China,but also open a mirror to examine the new Chinese society from the micro level.The construction and transmission of the moment of happiness on the screen requires not only the analysis of the emotional state,psychological intentions,and behavior of the subject of the image,but also the interpretation of the construction method of the object’s time and space and the meaning contained therein.the "Seventeen Years" film shows the individual’s "visible spirit" through.The visualization of the characters’ faces,behaviors,and body postures,and conveys "the endless power" and "the original passion" to the audience.The "Seventeen Years" film presents the people’s happy life on the screen through linear narratives and a happy ending;through the narration of three types of fixed spaces: fields,factories,and gatherings,flashes of people’s happiness The good luck of life;the four types of narrative paradigms: labor production,misunderstanding resolution,reunion recognition,and commendation establish the connotation of Marxist labor happiness concept.It is also in the above-mentioned narrative strategy that the films of "Seventeen Years" gradually established the social norms and new ethical orientation of New China.The value connotation revealed behind the images has been transformed into a "visual" existence through material objects and symbolic signs,and finally constructed the happy collective memory of New China.It affects the current Chinese values of happiness and the people’s attitude towards life,and continues to empower China’s struggle.After combing and examining the happy moments in the "Seventeen Years" movies,it opened up the dimension of rethinking the social meaning of new Chinese movies.On the one hand,its value concept first then constructs the characteristics of the text,making its essence before existence,which leads to the problem of narrative patterning and makes the film show a single value concept and meaning system.But on the other hand,if you enter the social and cultural value level from the film text,you will discover the broader social and cultural significance of the "seventeen years" film.On the one hand,from the perspective of "films in history","seventeen years" films,as the most popular mass art,brought future life directions to the people in the early days of New China.Consciousness;endows the subject with the cultural power of self-protection.On the other hand,the "17-year film" as a medium of "natural overflow of visible thoughts" shows a glimpse of the beginning of the modernization of New China;it affects the current struggle speech mechanism and the mainstream writing of social forge ahead.Therefore,from the perspective of the social and cultural development of New China,the "seventeen-year" film as a practical medium for the new Chinese people’s outlook,its inherent value and cultural context are destined to be the most unique and worthwhile in Chinese film history.The subject of deliberation exists.