Research On The Artistic Form Of Fan-Drum Nuo Opera In Renzhuang,Quwo,Shanxi

Nuo opera has a history of thousands of years from its infancy to now.With the development of the national drama census,Nuo opera in many provinces has only reappeared from historical documents and folk customs of people’s lives.As an important core birthplace of folk activities in the Yellow River Basin,Shanxi has bred a strong Yellow River folk customs,and the culturally rich southern Shanxi region has left traces of music and dance club fires and festivals at the age of the year.With the help of its special geographical location,Quwo County,located at the southern end of Shanxi,has had convenient transportation conditions since ancient times to promote cultural exchanges with other places and has become one of the birthplaces of the Chinese nation.As a representative of folk culture in Quwo County,Renzhuang Fanggu Nuo Opera is a national intangible cultural heritage integrating artistic performance,custom culture and regional history.With the development of the new era,although Quwo Renzhuang Fanggu Nuo Opera is well known by more and more people,we are still facing practical problems such as rural hollowing out,cultural dating,and spontaneous inheritance weakening.Therefore,how to accept the local intangible cultural heritage is an unavoidable problem for contemporary young and middle-aged inheritors of intangible cultural heritage.Based on the existing situation of Renzhuang Fanggu Nuo Opera,this article focuses on studying the internalized performance of the artistic form of Renzhuang Fanggu Nuo Opera in Quwo,Shanxi.The full text is divided into six parts: The first chapter is an introduction,divided into four parts,which mainly elaborates the basic status quo of Renzhuang Fanggu Nuo Opera,the research purpose and significance of this topic,the relevant research status quo and main research methods;the second chapter is written from the general situation of Quwo County’s regional culture,analyzing the historical evolution of Renzhuang Fanggu Nuo Opera,sorting out its regional cultural background and its formation and development process;the third chapter The author collates the first-hand data collected through field investigations,and lists the list of inheritors of past dynasties before the Fanggu Nuo Sacrifice application in the form of a table,and at the same time elaborates on the expression of the original ecological art form in the Fanggu Nuo Sacrifice activities;The fourth chapter is the core part of this article.Based on the perspective of religion and folklore,the author starts from the artistic form of the entire Nuo sacrifice ceremony,and through the analysis of its costumes,props,sacrificial ceremonies and melody lyrics,summarizes and arranges the fan-drum Nuo sacrifice The overall artistic form of expression;the fifth chapter is based on the analysis of the necessity of its artistic form inheritance and the advantages of inheritance,and expounds the important significance of inheritance and protection to it;the sixth chapter is the author’s aim at Quwo Renzhuang Fan-drum Nuo Opera The development advantages and the promotion of its long-term development put forward reasonable suggestions with timeliness.